Suchergebnisse

Timothy Sheard, the Lenny Moss mystery series (New York: Hardball).At its best, the art of fiction reveals the underlying truth of human relations: we are communal and collaborative by nature. Selfishness and greed are social aberrations because, ultimately, they violate the principle of self-preservation. No wonder we are drawn to crime stories: they mirror our common experience. Capitalism is high crime disguised as church doctrine. Conspiracy is evident, though the evidence is concealed. Hence, our fascination with the detective genre. We are in dire need of Timothy Sheard's scrutiny—a detective who peers through a working-class eyeglass.Click here to purchase a PDF version of this article at the Monthly Review website.

I explore the history of Japanese writing centered on Sherlock Holmes as a means of interrogating the 2014 BBC Sherlock pastiche John and Sherlock Casebook 1: Jon, zenchi renmei e iku (The stark naked league), written by Japanese Sherlockian Kitahara Naohiko for mainstream publication by the publishing house Hayakawa shobō. I argue that exploration of the Japanese (fan) cultural contexts of Kitahara's book begins to reveal the limits of the Anglo-American-centered framework through which fan studies scholars explore fan/producer relationships.

Trabalho apresentado no XVII Simpósio de Filosofia Moderna e Contemporânea da UNIOESTE, em 2012. Título original: Sherlock Holmes in der Kulturwissenschaft – eine Spurensuche mit Ernst Bloch. Original em alemão também publicado nessa edição da Revista Dialectus.

Rewritings and adaptations of the Sherlock Holmes stories are traditionally called pastiches among fandom. This article juxtaposes that established use with the literary critical notion of pastiche as imitation of style, and shows how stylistic affinity to the originals produces complex effects in the imitations. The article identifies two main strands in the pastiches: one that aims to correct the mistakes and fill in the gaps in the original stories, and one that supplements the canon with stories Watson left untold. Balancing among homage, criticism, and usurpation, the pastiches comment on the original story world and its cultural context, and engage in fictions of authorship to account for the apparent inauthenticity of the retellings.

The article using literary texts attempts to draw similarities in the trajectories of emergences and concerns of the 19th-century sociology and crime/detection fiction represented in particular by Arthur Conan Doyle's Sherlock Holmes. It attempts to contextualise the conditions of emergences, common intellectual moorings and their negotiations with similar themes in the domain of modern rational science discourse and tenet, where everything was to be open to query and testing. The article proposes that the shared intellectual inspirations in science and reason, the engagements with positivism-empiricism and redressal of the disorder and anxiety that European society experienced at the time show that there are multi-level connections between the detective stories and science of society.