ORIENTAL INFLUENCES IN MEXICO
In: American anthropologist: AA, Band 2, Heft 1, S. 66-74
ISSN: 1548-1433
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In: American anthropologist: AA, Band 2, Heft 1, S. 66-74
ISSN: 1548-1433
In: Revista de etnologie și culturologie: Journal of ethnology and culturology = Žurnal ėtnologii i kulʹturologii, Band XXXVI, S. 103-111
ISSN: 2537-6152
This article explores the role of mysticism, spirituality, and cultural synthesis in Albanian literature, using the
works of Dritëro Agolli and Naim Frashëri as central case studies. The analysis of Agolli's The Devil's Chest reveals
how his integration of Bektashism functions as a philosophical and spiritual bridge between Eastern and Western
traditions. Agolli portrays key mystical practices, such as the Sema dervish dance, while weaving themes of secrecy,
hidden manuscripts, and the quest for truth, all of which are emblematic of both Sufi mysticism and Western literary forms. These motifs reflect Agolli's post-communist literary engagement with Albania's spiritual landscape,
positioning Bektashi principles as a source of inclusion and personal fulfillment. The article also explores Naim
Frashëri's contributions, particularly his allegorical exploration of mysticism and his depiction of the quest for
truth, offering insights into his influence on Albanian literary spirituality. The comparison between these two
authors demonstrates the broader cultural dialogue between Eastern and Western ideologies, highlighting how both authors navigate the intersection of religious identity and cultural pluralism. Through the analysis of Agolli and Frashëri, the article asserts that their works provide crucial insights into the evolving literary articulation of spirituality and cultural integration in post-dictatorship Albania.
This research develops a much-needed approach to the study of glazed ware production in al-Andalus (Muslim Spain and Portugal) during the early Middle Ages. The introduction of glaze to the Iberian Peninsula was a long and complex process involving three waves of technology transfer arriving from the eastern Islamic regions between the ninth and eleventh centuries. In this paper, the main glaze workshops of each technological wave have been characterised in order to understand how the medieval technological transmission took place and how political and economic factors influenced this gradual dissemination. ; Postprint (published version)
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In: BAR
In: International series 691
In: Peuples et cultures de l'Orient
In: Revue européenne des migrations internationales: REMI, Band 29, Heft 4, S. 133-157
ISSN: 1777-5418
Malebranche and Chinese philosophy / David E. Mungello -- The pre-established harmony between Leibniz and Chinese thought / Daniel J. Cook and Henry Rosemont -- The sinophilism of Christian Wolff (1679-1754) / Donald F. Lach -- Voltaire, sinophile / Basil Guy -- The possibility of oriental influence in Hume's philosophy / Nolan Pliny Jacobson -- Herder and German Romanticism / Ronald Taylor -- Hegel / Wilhelm Halbfass -- Schelling and Schopenhauer / Wilhelm Halbfass -- The influences of eastern thought on Schopenhauer's doctrine of the thing-in-itself / Moira Nicholls -- Emerson and Indian philosophy / Dale Riepe -- Thoreau's India : the impact of reading in a crisis / David H. Albert -- Thoreau's Hindu quotations in A week / Ellen M. Raghavan and Barry Wood -- Nietzsche's trans-European eye / Mervyn Sprung -- Nietzsche and the laws of Manu / Thomas H. Brobjer -- Taoism and Jung : synchronicity and the self / Harold Coward -- Martin Buber and Taoism / Irene Eber -- Heidegger's hidden sources : East Asian influences on his work / Reinhard May.
Arab culture and the religion of Islam permeated the traditions and customs of the African sub-Sahara for centuries. When the early colonizers from Europe arrived in Africa they encountered these influences and spontaneously perceived the African cultures to be ideologically hybridized and more compatible with Islam than with the ideologies of the west. This difference progressively endorsed a perception of Africa and the east being "exotic" and was as such depicted in early paintings and writings. This depiction contributed to a cultural misunderstanding of Africa and facilitated colonialism. This article briefly explores some of the facets of these early texts and paintings. In the first place the scripts by early Muslim scholars, who critically analyzed early western perceptions, were discussed against the textual interpretation of east-west perceptions such as the construction of "the other". Secondly, the travel writers and painters between 1860 and 1930, who created a visual embodiment of the exotic, were discussed against the politics behind the French Realist movement that developed in France during that same period. This included the construction of a perception of exoticness as represented by literature descriptions and visual art depictions of the women of the Orient. These perceptions rendered Africa as oriental with African subjects depicted as "exotic others".
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The issue of Oriental linguistic elements in Albanian literature is considered as a very sensitive and complex period because it has been abandoned for ideological and political reasons. Such approach cannot pass easily because we all now start from a later point. The name of this period is known as " The period of Baytajes", and it implies the fact that this literary school was formally and substantially under the influence of oriental languages and thoughts. Oriental words are numerous and can be divided into Arabic, Ottoman and Persian, but mostly in Arabic because it was treated as a lingua franca of the artistic expressions of this group of Albanian literary creators that lasted for almost two decades until the literary Albanian renaissance.
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In: Annales: histoire, sciences sociales, Band 20, Heft 3, S. 537-546
ISSN: 1953-8146
La Pologne et les autres contrées qui touchaient jadis le Proche Orient ont beaucoup emprunté à la civilisation orientale. Mais jusqu'au XVIIIe siècle, ces emprunts consistaient surtout en objets matériels, tels que costumes, armes, harnais, et n'avaient qu'une influence mineure sur la civilisation de l'Europe Orientale. Ils étaient l'expression d'un état d'esprit appelé couramment « sarmatisme ». Par contre, à l'époque des « lumières », d'autres éléments de la civilisation orientale pénètrent dans l'Europe de l'Est, non pas, il est vrai, venus directement d'Orient, mais — paradoxalement — par le truchement de l'Occident, où l'orientalisme s'était intégré au style rococo, alors très à la mode. Cet orientalisme rencontre, en Pologne, des éléments préexistants; il les assimile, et donne naissance à un grand courant inspirateur, particulièrement fécond et bénéfique, que nous voudrions évoquer ici dans toute son ampleur.
In: The world today, Band 61, Heft 12, S. 15-16
ISSN: 0043-9134
Factors that have impeded Russia's development of a comprehensive Asian foreign policy are studied. Although Russia enjoys closer relations with the People's Republic of China, it is stressed that the Chinese state's regional interests, coupled with Russian-Sino historical relations, could jeopardize the Russian state's economic, geopolitical, & security interests. It is asserted that Russia should attempt to further develop better relations with other nations in the Asia-Pacific region to address its concerns with the Chinese state. However, it is noted that Russia's tumultuous foreign relations with Japan, caused primarily by Russia's appropriation of the South Kuriles from Japan during WWII, will likely stifle efforts to enhance Japanese-Russian economic & political relations. Even though other circumstances could additionally diminish Russia's foreign policy toward Asia, it is concluded that petroleum exports to energy-hungry Asian nations could enhance Russian economic & political influence across Asia. J. W. Parker
In: Museum studies 33.2007,1