Egyptian Mythology
In: Man: the journal of the Royal Anthropological Institute of Great Britain and Ireland, Band 3, Heft 4, S. 691
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In: Man: the journal of the Royal Anthropological Institute of Great Britain and Ireland, Band 3, Heft 4, S. 691
In: The world of mythology
In: SHS web of Conferences: open access proceedings in Social and Human Sciences, Band 213, S. 02015
ISSN: 2261-2424
This paper explores the integration and differences between Ancient Egyptian and Greek mythology within the context of cultural exchange, analyzing the mutual influence of mythological elements and their significance in both systems. Ancient Egyptian and Greek mythologies are rich in history and cultural impact, holding pivotal positions in the history of human civilization. Despite differences in the temporal and geographical origins and development of Egyptian and Greek myths, the trade and cultural exchanges in the ancient Mediterranean world facilitated the fusion of their mythological elements. The study reveals similarities and distinctive characteristics in the attributes of deities, creation myths, heroic legends, symbolic meanings, and religious rituals in both traditions. Regarding divine attributes, both mythologies ascribe human emotions and behaviors to their deities. However, Egyptian deities emphasize cosmic order and natural forces, while Greek deities focus more on anthropomorphism and the dramatic nature of mythological narratives. In creation myths, both systems depict a transition from chaos to an ordered world. However, Egyptian creation is closely linked to solar deities and the myth of Atum, whereas Greek creation myths involve a complex interplay of multiple deities and elaborate struggles.
In: Very short introductions
The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. This book is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures - Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu - treating them as reflections of the cultures that 'dreamed' them.
In: Almanhal Islamic Studies E-Book Collection
In: Oxford Companions Series
Illustrated with maps, more than 70 black and white images, and eight pages of color, The Oxford Companion to World Mythology covers all aspects of mythology, including substantial essays on the world's major mythological traditions (Greek, Native American, Indian, Japanese, Sumerian, Egyptian), mythological types and motifs (Descent to the Underworld, the Hero, the Trickster, Creation, the Quest), mythological figures (Odysseus, Zeus, Osiris, Spider Woman, and Inanna) as well as numerous interrelated subjects such as fairly tales and legends.
In: American anthropologist: AA, Band 70, Heft 5, S. 987-988
ISSN: 1548-1433
In: Godišnjak Centra za balkanološka ispitivanja, Heft 49, S. 87-96
ISSN: 2232-7770
Greek mythology mentions Motylos, king in Asia Minor, who received Helen and Paris after they fled the mythical Sparta. Who was Motylos and whether his appearance in ancient Hellenic mythography is in fact perhaps a reminiscence and some "rough" memory of a real ruler of Asia Minor in the XIII century BC. As one of the first candidates for possible reminiscence is Muwatal II. (Muwatalli; Muwatallish) Hittite ruler in the period (according to a short chronology) from 1295 to 1272. BC. The main reason is the existence of a document, found in the Hittite archives in Hatusha, which is called the Alaksandu Treaty (CTH 76). It is a diplomatic treaty (with an approximate date cc 1280 BC) between Muwatal II. and Alaksandu, king of Wilusa. In historiography and archeology it is now unquestionable that Wilusa refers to that city which in ancient Hellenic mythology is called Ilion, while Aleksandu is associated with Paris (Πάρις), whose name by birth was Alexander (Ἀλέξανδρος). It is interesting that in Greek mythology, there is also information that the Paris and Helena fleet was cruising the eastern Mediterranean and that it was carrying out attacks along the coast of the Levant. Perhaps this mythology is actually a memory of the time when the Trojans were part of a military contingent led by Muwatal in the war with the Egyptian pharaoh Ramesses II, which broke out after the conclusion of the Treaty of Aleksandu.
In: Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft 78
Античность знает несколько типов интерпретации мифа: аллегорический, рациональный (критический), прагматический и эвгемерический (исторический). Интересно, что с большинством из них мы можем встретиться в текстах Платона, жившего задолго и до Эвгемера, и до Палефата. В статье рассматриваются известные рассуждения Платона о Тамусе и Тевте из «Федра» (274с-275а) и «Филеба» (18b-d), а также тематически близкое место из «Политика» (274b-d). Показано, что платоновский «эвгемеризм» опирается на внутренние предпосылки и основания в самом учении Платона. Мы имеем в виду платоновскую космологию и представления об истории (кругообращениях Космоса), которые дали Платону возможность говорить о «земных богах». Нравоучительный рассказ о богах Тамусе и Тевте как земных правителях мог стать одной из предпосылок для учения Эвгемера о том, что почитаемые людьми боги это великие властители древности. Связь учения Платона и Эвгемера можно увидеть не только на основе анализа предания об Атлантиде (оно могло стать моделью для «Священной записи» Эвгемера). Указанный фрагмент из «Федра» дает нам пример той интерпретации мифа, которая была свойственна Платону, но которая могла стать предпосылкой и для толкования, разработанного Эвгемером. Более того, в тексте «Федра» мы обнаруживаем пример критического рассмотрения «рациональной» интерпретации мифологии. Платон отвергает эту стратегию, предпочитая ей создание собственной исторической мифологии, где «египетский логос» из «Федра» занимает вполне определенное место. ; Antiquity developed several types of interpretation of the myth: allegorical, rational (critical), pragmatic and euhemeristic (historical). We find all of them in the texts of Plato, who lived long before Euhemeras and Palaephatus. The article examines the well-known Plato's texts about Thamus and Theuth in "Phaedrus" (274c-275a) and "Philebus" (i8b-d), as well as thematically closest fragment of the "Politicus" (274b-d). It is shown that the Platonic "euhemerism" is one of the inner preconditions and basis in the teachings of Plato. We have in mind Plato's cosmology and view of history (movements of Cosmos), which gave the opportunity to talk about Plato's "earthly gods". Didactic story about gods Thamus and Theuth as earthly rulers could become a background for the doctrine of Eugemerus that the gods worshiped by people are the great kings of antiquity. Relationship among the teachings of Plato and Eugemer can be seen not only on the basis of analysis of the legend about Atlantis (this legend could be the model for the "Sacra Historia" of Eugemerus). The fragment of "Phaedrus" gives us an example of the interpretation of the myth, which was peculiar to Plato, but it could be a prerequisite for the interpretation developed by Euhemerus. Moreover, in the text of "Phaedrus" we find a critical consideration of "rational" interpretation of mythology. Plato rejected this strategy, preferring to create its own historical mythology, where "Egyptian logos" from "Phaedrus" had a definite place.
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"In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways-sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world"--
In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.
The presence of ancient Egypt in Philip II's time is located in the frame of the Egyptian myth reception during the second half of the 16th century Spanish Monarchy. Succinctly, the article studies how was articulated this reception and searches the so-called trace of Osiris: a trace drawn on Hispanic context through various contours. This fact led to a complex perception of Egypt, which was reflected in fields as diverse as mythical genealogies, historiography, studies on hieroglyphs and royal events related to the House of Austria. A completely transformed Egypt from its primeval canons, filtered by Greco-Latin sources, corrupted by the Biblical tradition; undermined by the Renaissance ideas; and interfered by Hermetic connotations. All in all, an egyptianizing Egypt which was installed in the symbolical and political culture of the Spanish Crown, playing a specific role in the propaganda and commemorative exercises of the Rey Prudente and contributing to profile his royal image. ; Fundação para a Ciência e a Tecnologia ; info:eu-repo/semantics/publishedVersion
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