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Akio Sakurai in Mr. Jimmy

This is the author's accepted manuscript. The published version is available from http://dx.doi.org/10.1080/02773940902766748 . ; Following the exposure of televangelist Jimmy Swaggart's illicit rendezvous with a New Orleans prostitute, the Assemblies of God simultaneously orchestrated a massive attempt to silence those who would discuss the tryst and arranged the most widely publicized confession in American history theretofore. The coincidence of a "silence campaign" with the vast distribution of a public confession invites us to reconsider the nature of the public confession. For what place has a public confession, the discourse of disclosure par excellence, in a silence campaign? This question is best answered, I argue, if we understand public confession not as a stable a-historical form, but as a practice that is informed by multiple, competing traditions. I argue that by situating Swaggart's performance in a philosophically modern and secular tradition of public confession we can understand both its complicity in a silence campaign and, more generally, the political logic of the modern public confession.

Before James Oseland was a judge on Top Chef Masters, he was a teenage rebel growing up in the California suburbs. Diving headfirst into the churning mayhem of punk, he renamed himself Jimmy Neurosis and journeyed into a vibrant underground world of visionary musicians and artists. With humor and verve, Oseland brings to life the effervescent cocktail of music, art, drugs, and sexual adventure that characterized the end of the seventies. Through his account of how creativity saved his life, he tells a thrilling and uniquely American coming-of-age story