Suchergebnisse

Professor Currie's article [See David P. Currie, "Separating Judicial Power", 61 LAW & CONTEMPORARY PROBLEMS 7 (Summer 1998) ] discusses historical attempts to limit judicial independence. I consider the converse: how judges have exercised their independence. This essay provides a brief historical overview of judges using their independence to implement their own view of justice, often contrary to both popular sentiment and legislative will.

The current study has attempted to assess whether the Indian independent directors are, in a true sense, independent. Extant Corporate Governance literature has postulated that independent directors protect non-controlling minority shareholders, and defend their interests by lending their expertise to strategy. In practice, they seldom reject any strategy proposed by the executive directors who represent the dominant shareholders' viewpoints. Thus, the independent directors perform advisory roles rather than supervisory roles. The study has assayed that independent directors must cease being subservient to the executive directors and has concluded that mere regulatory changes are insufficient; motivational changes must also accrue to the cause. JEL Classifications: G34, G38

This is a historiographical study of video art in Brazil from the aesthetic and conceptual aspects of independent video. The study aimed to promote a dialogue with audiovisual works, which are part of political actions, which marked the critical and engaging stance in the 1980s and its insertion in commercial television aimed at the production of historical knowledge about the audiovisual in its interfaces with other fields of video arts. The producer Olhar Eletrônico is the object of study of this article and the corpus analyzed is composed of one of the experimental frame: Ernesto Varela, produced in 1984 whose irony and empathy are traces of his reflection and political criticism. ; Trata-se de um estudo historiográfico sobre a videoarte no Brasil a partir de aspectos estéticos e conceituais do vídeo independente. O estudo buscou promover um diálogo com obras audiovisuais, integrantes de ações políticas, que marcaram a postura crítica e de engajamento na década de 1980 e sua inserção na televisão comercial visando à produção do conhecimento histórico a respeito do audiovisual em suas interfaces com outros campos das artes do vídeo. A produtora Olhar Eletrônico é objeto de estudo deste artigo. O corpus analisado é composto de um dos seus quadros experimentais: Ernesto Varela, produzido em 1984 e cujas ironia e empatia são traços de sua reflexão e crítica política.

Editors: 1848-61, Leonard Bacon, J.P. Thompson, R.S. Storrs (Joshua Leavitt, assistant editor); 1861-64, H.W. Beecher; 1864-70, Theodore Tilton; 1870-96, H.C. Bowen; 1896-1913, W.H. Ward; 1914-Sept. 1921, Hamilton Holt; Oct. 1921-Feb. 1924, H. de W. Fuller (with Fabian Franklin, Oct. 1921-Apr. 1922); Mar. 1924-Oct. 1928, R.E. Danielson, C.A. Herter. ; "Devoted to the consideration of politics, social and economic tendencies, history, literature, and the arts." (varies slightly) ; Mode of access: Internet. ; Merged with: the Outlook, to form: the Outlook and independent.