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"Now revised and expanded, Greenwich Village, 1913 immerses students in the radical new possibilities unlocked by the modern age. In this popular Reacting to the Past game, the classroom is transformed into Greenwich Village in 1913, where rebellious "free spirits" gather. Exposed to ideas like woman suffrage, socialism, birth control, and anarchism, students experiment with forms of political participation and bohemian self-discovery. The Second Edition reflects recent scholarly findings on African-American and working-class suffragists, including new sources and characters, as well as improved support for students to read primary texts. Reacting to the Past is an award-winning series of immersive role-playing games that actively engage students in their own learning. Students assume the roles of historical characters to practice critical thinking, primary source analysis, and both written and spoken argument. Adopted by thousands of instructors at all types of institutions, Reacting to the Past games are flexible enough to be used across the curriculum, from first-year general education classes and discussion sections of lecture classes to capstone experiences and honors programs."

A vibrant portrait of a celebrated urban enclave at the turn of the twentieth century In the popular imagination, New York City's Greenwich Village has long been known as a center of bohemianism, home to avant-garde artists, political radicals, and other nonconformists who challenged the reigning orthodoxies of their time. Yet a century ago the Village was a much different kind of place: a mixed-class, multiethnic neighborhood teeming with the energy and social tensions of a rapidly changing America, Gerald W. McFarland reconstructs this world with vivid descriptions of the major groups that resided within its boundaries - the Italian immigrants and African Americans to the south, the Irish Americans to the west, the well-to-do Protestants to the north, and the New York University students, middle-class professionals, and artists and writers who lived in apartment buildings and boarding houses on or near Washington Square. McFarland examines how these Villagers, so divided along class and ethnic lines, interacted with one another.; He shows how clashing expectations about what constituted proper behavior in the neighborhood's public spaces - especially streets, parks, and saloons - often led to intergroup conflict, political rivalries, and campaigns by the more privileged Villagers to impose middle-class mores on their working-class neighbors. Occasionally, however, a crisis or common problem led residents to overlook their differences and cooperate across class and ethnic lines. Throughout the book, McFarland connects the evolution of Village life to the profound transformations taking place in American society at large during the same years

"On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships. The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers. Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--