Suchergebnisse

En esta investigación explicamos el radioteatro en Colombia como fenómeno estético, histórico, social y cultural, y lo estudiamos como parte importante del proceso de formación y afianzamiento del campo cultural en Colombia. En este proceso tuvimos en cuenta las preocupaciones esbozadas por Fernando González Cajiao en su Historia del teatro en Colombia. Con ello en mente, buscamos llenar parte de vacíos que aún persisten en la historia del teatro colombiano. Con base en presupuestos de la sociología de la literatura y la cultura, abordamos el radioteatro inicialmente como un fenómeno estético que desarrolla sus propias estrategias artísticas y luego como un fenómeno cultural que participa de la complejidad histórica y social de la Colombia del siglo XX. En este sentido, el radioteatro, además de contribuir en la ampliación del público radioescucha, como medio de difusión de valores para el gran público, aparece como un espacio de confrontaciones entre diversas ideologías e intereses políticos, éticos, estéticos, institucionales. Este tipo de aproximación implica entender las relaciones que se establecen entre la radio como fenómeno técnico y sus relaciones con la cultura y el arte en general. ; Abstract: In this investigation we explained the radio-theater like a sthetics, historic, social and cultural phenomenon, and we studied it like part of a process of formation and consolidation of Colombia's cultural field. In this process we took into account the preoccupations sketched out by Fernando González Cajiao in his book Historia del teatro en Colombia. With this in mind, we searched to cover some empty aspects Colombian theater´s history, current yet them. Based on literary and cultural sociology specifications, we approach to the radio-theater, initially, like a sthetics phenomenon that developments itself artistic strategies and we approach to the radio-theater, then, like a cultural phenomenon that participates of the Colombia historical and social complexity in the Twentieth century. In this sense, the radio-theater, in addition to contribute to extension radio listener public, like media of values diffusion for public massive, appears like a space of confrontations between several ethics, politics, sthetics institutional ideologies and interests. This kind approach implies to understand the relationship stablished between the radio like technical phenomenon and its relationship with the general art and culture. ; Maestría

Woman's image in Lebanese textbooks, in Egyptian mass media and in the Egyptian cinema has been treated in brief reports published in former issues of AI -Raida)_ Woman's image in the Lebanese press has been contributed through the Institute for Women's Studies in the Arab World in a detailed study project recently made by Mr. Richard Allouche, assistant professor at Lyon University " (France), on the image of woman in the Lebanese press between 1935 and 1975.

The Banking Commission is the direct anchor of the current Financial Services and Markets Authority (FSMA). Looking at the history of the first 40 years of this Commission's activity, it is therefore necessary to understand the origins of the Belgian banking supervisory body and its development over the 20th century.T. Giddey goes back here to the sources of the institutional configurations that characterise the current Belgian banking regulatory regime. To do so, it examines the decision-making processes that have led to the adoption — or failure — of successive draft regulations. It shows that these processes have given rise to a crystallisation of socio-political power relations, with the formalisation of control over banks being above all a political issue. After reviewing the emergence phase of banking regulation, it discusses its implementation in the years 1935-1975. This extension of the approach to supervisory practices as such makes it possible to measure the gap between them and the legal requirements, which are otherwise more rigid. The second part of this study examines the specific activities of the Banking Commission, covering four themes: the assertiveness of auditors (who directly control banks), the problem of determining bank coefficients (a very political problem in its scope), the delicate question of implementing measures aimed at separating deposit-taking banks from the financial group to which they belong ('protocols on banking autonomy'), and the gradual extension of the Commission's powers from the end of the 1950s (in particular as regards investment funds, public calls for credit and supervision of private savings banks). ; International audience ; The Banking Commission is the direct anchor of the current Financial Services and Markets Authority (FSMA). Looking at the history of the first 40 years of this Commission's activity, it is therefore necessary to understand the origins of the Belgian banking supervisory body and its development over the 20th century.T. Giddey goes back here ...