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This innovative book looks beyond the traditional history of European expansion—which highlights European conquests, empire building, and hegemony—in order to explore the more human and realistic dimensions of European experiences abroad. David Ringrose argues that Early Modern Europe was relatively poor and that its industrial and military technology, while distinctive in some ways, was not obviously superior to that of Africa or Asia. As a result, the interaction between Europeans abroad and the peoples they met was vastly different from the relationship created by the economic and military imperialism of the post-1750 Industrial Revolution. Instead, the author depicts it as a process of cultural interaction, collaboration, and assimilation, masked by narratives of European conquest or assertion of control. Ringrose convincingly shows that Europeans who went abroad before 1700 engaged in an exchange of cross-cultural contact and has framed the process in its own time rather than as the precursor of what came later. Then, as now, historical actors knew nothing of the unexpected consequences of their actions

From the late 15th until the late 18th century, 15 Italian men shared a particular occupational life course, by becoming prime minister as well as cardinal to the Church of Rome. Some became prime minister after having been cardinal; others had a reversed career of becoming prime cardinal after having been prime minister. It is obvious that personal experiences will have influenced the policies they set out, especially when a prime minister had been a cardinal before. But, on the other hand, the impersonal cultural life script of being a cardinal or being a prime minister may have predominated personal inclinations.

A pioneering text which covers the urban society of early modern Europe as a whole. Challenges the usual emphasis on regional diversity by stressing the extent to which cities across Europe shared a common urban civilization whose major features remained remarkably constant throughout the period. After outlining the physical, political, religious, economic and demographic parameters of urban life, the author vividly depicts the everyday routines of city life and shows how pitifully vulnerable city-dwellers were to disasters, epidemics, warfare and internal strife.

"Before the first purpose-designed exhibition spaces and painting exhibitions emerged, showing art was mainly related to the habit of dressing up spaces for political commemorations, religious festivals, and marketing strategies. Palaces, cloisters, façades, squares, and shops became temporary and privileged venues for art display, where sociability was performed, and the idea of exhibition developed. What were those places and events? What aesthetic, cultural, social and political discourses intersected with the early idea of exhibition space? How did displaying art shape a new vocabulary within these events, and conversely, how have these occasions conditioned exhibiting practices? This book traces the origins of the exhibition space by studying its visual and written imagery in the early modern period. It reconsiders events and habits that contributed to shaping the imagery of the exhibition space, and to defining exhibition-making practices, exploring micro-histories and long-term changes."--