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Although scholars often consider Juan Manuel's Crónica abreviada to be a mere summary or index of the Estoria de España, its contents suggest that it can be better characterized as a reaction to Alfonso X's ideology. In this article, I study the effect of the chronicle's abbreviatio on the narration of events taken from Alfonsine and post-Alfonsine historiography. My purpose is to show that this rewriting of "history" reorients the historiographical discourse to emphasize the moral decadence of kings, transform the nobility into a force of political control, and posit heroic figures of the aristocracy as models of a new seigneurial ethics. ; La crítica concibe habitualmente la Crónica abreviada de Juan Manuel como un resumen o un índice de la Estoria de España, esto a pesar de que su contenido indique que es una reacción al pensamiento de Alfonso X. En este artículo estudio cuáles son los efectos de la abbreviatio de la crónica sobre los eventos narrados por la historiografía alfonsí y postalfonsí. Mi propósito es demostrar que la reescritura de la "estoria" implica una reorientación del discurso historiográfico; con ello, Juan Manuel enfatiza la corrupción moral de los reyes, convierte a la aristocracia en una fuerza de control político y rescata figuras heroicas de la nobleza como modelos para su ética señorial.

The Estoria de España was written under the aegis of Alfonso X the Wise, king of Castile and León (1252-1284). The chronicle traces the history of Spain and specifically of Castile, from the origins to the thirteenth century. Although many renowned researchers have studied the Estoria, all these works, which are also indispensable, propose only a partial vision of the chronicle. No comprehensive study has been devoted to the narration from origins to Pelagius, even though it seems to us that the story of the origins plays a fundamental role in the Estoria. The first 565 chapters cannot be considered as a simple preliminary without any political connotation. The analysis of the various episodes, the numerous portraits, the mythical structures, as well as the methods of writing present in the narrative allowed us to unearth the links, between this chronicle and the alfonsine ideal. We have highlighted the particular processes used by the Wise King to build the great age and prestige of Spain, the only qualities capable of founding legitimacy. Alfonso X stands out both from his European neighbors – who founded their antiquity on the Trojan myth – and from his peninsular sources – focused on Visigothic origins – and slides towards what we have called a non-exclusive neo-Gothicism, tinged with neo-Romanism. Henceforth it is no longer so much of a real lineage that the Wise King can claim, but of a symbolic, political, sapiential and spiritual lineage. He establishes a two-level continuity, a continuity inscribed in the long time, the translatio imperii, and a direct continuity between each founder, each exemplary king and himself. This incessant transfer of power through time allows the ruler to legitimize his way of exercising power. The chronicle thus claims a role of pastor and vicar for the king who does not need the intercession or the tutelage of the Church. As for the nobility, it is in some ways erased from the chronicle. The nobles are placed in a relationship of dependence concerning the king. Every ...

The Estoria de España was written under the aegis of Alfonso X the Wise, king of Castile and León (1252-1284). The chronicle traces the history of Spain and specifically of Castile, from the origins to the thirteenth century. Although many renowned researchers have studied the Estoria, all these works, which are also indispensable, propose only a partial vision of the chronicle. No comprehensive study has been devoted to the narration from origins to Pelagius, even though it seems to us that the story of the origins plays a fundamental role in the Estoria. The first 565 chapters cannot be considered as a simple preliminary without any political connotation. The analysis of the various episodes, the numerous portraits, the mythical structures, as well as the methods of writing present in the narrative allowed us to unearth the links, between this chronicle and the alfonsine ideal. We have highlighted the particular processes used by the Wise King to build the great age and prestige of Spain, the only qualities capable of founding legitimacy. Alfonso X stands out both from his European neighbors – who founded their antiquity on the Trojan myth – and from his peninsular sources – focused on Visigothic origins – and slides towards what we have called a non-exclusive neo-Gothicism, tinged with neo-Romanism. Henceforth it is no longer so much of a real lineage that the Wise King can claim, but of a symbolic, political, sapiential and spiritual lineage. He establishes a two-level continuity, a continuity inscribed in the long time, the translatio imperii, and a direct continuity between each founder, each exemplary king and himself. This incessant transfer of power through time allows the ruler to legitimize his way of exercising power. The chronicle thus claims a role of pastor and vicar for the king who does not need the intercession or the tutelage of the Church. As for the nobility, it is in some ways erased from the chronicle. The nobles are placed in a relationship of dependence concerning the king. Every ...

Calila and Dimna–as a mirror of princes of oriental origin and the first translation of a narrative prose text by order of Alfonso (1251) still being the heir of throne– provides a fund of strategies for the construction of royal memory. Starting in a paradigmatic way from the chapter "Del fijo del rey e del fidalgo e de sus compañeros" (The prince and his companions), and considering its transcultural origin, it is instructive to relate the respective methods described inCalila and Dimnato the procedures of the historiographic writings commissioned by Alfonso later as king, in particular those in theEstoria de España. Both texts contain narrative sequences that reproduce fictitious inscriptions. These inscriptions, their staging and the inherent narratives of dominion will be analyzed in this study with respect to political memory and the implications for the political culture of the Alfonsine reign. The media measures aimed at preserving the memory of the monarch through epigraphy, ranging from genealogical aspects to funeral monuments, often also serve to legitimize the kingship. ; Calila e Dimna–en su calidad de espejo de príncipes de origen oriental y primera traducción de un texto narrativo en prosa por orden del infante Alfonso (1251)– proporciona un fondo de estrategias de construcción de la memoria regia. Partiendo de manera paradigmática del capítulo "Del fijo del rey e del fidalgo e de sus compañeros", y teniendo en cuenta su raíz transcultural, es instructivo relacionar los métodos respectivos descritos enCalila e Dimnacon los procedimientos de los escritos historiográficos encargados por Alfonso más tarde como rey, en particular aquellos en laEstoria de España. Ambos textos contienen secuencias narrativas que reproducen inscripciones ficticias. Estas inscripciones, su puesta en escena y las narrativas de poder inherentes se analizarán en este estudio con respecto a la memoria política y a las implicaciones en la cultura política del reinado alfonsí. Las medidas mediáticas destinadas a conservar la ...

En el reinado de Alfonso X se produce una auténtica revolución cultural cifrada en un didactismo enciclopédico y en un organizado plan político En ese entramado cultural y político sobresale el discurso historiográfico como modelo de comportamiento y como forma de legitimar los derechos sucesorios del rey Sabio. Las dos obras históricas alfonsíes, la General estoria yla Estoria de España, hoy se pueden estudiar a la vista de las relaciones histórico-culturales de los distintos reinos peninsulares en la España del siglo xiii. ; During the reign of Alfonso X took place an authentic cultural revolution based on encyclopaedic didacticism and an organized political plan. In this cultural and political framework, the historiographic discourse stands out as a model of be-haviour and as a way to legitimize the succession rights of the Wise King. The two Alphonsine historical works, the General estoria and the Estoria de España can be studied now in the light of the historical-cultural relations of the different peninsular kingdoms in 13th-Century Spain

During the reign of Alfonso X took place an authentic cultural revolution based on encyclopaedic didacticism and an organized political plan. In this cultural and political framework, the historiographic discourse stands out as a model of behaviour and as a way to legitimize the succession rights of the Wise King. The two Alphonsine historical works, the General estoria and the Estoria de España can be studied now in the light of the historical-cultural relations of the different peninsular kingdoms in 13th-Century Spain. ; En el reinado de Alfonso X se produce una auténtica revolución cultural cifrada en un didactismo enciclopédico y en un organizado plan político En ese entramado cultural y político sobresale el discurso historiográfico como modelo de comportamiento y como forma de legitimar los derechos sucesorios del rey Sabio. Las dos obras históricas alfonsíes, la General estoria y la Estoria de España, hoy se pueden estudiar a la vista de las relaciones histórico-culturales de los distintos reinos peninsulares en la España del siglo XIII.

El proyecto cultural de Alfonso X posee una clara dimensión política y muestra la visualización del nuevo poder monárquico que se genera en lo que hoy conocemos como la Génesis del Estado Moderno. Veremos los fundamentos teóricos del proyecto alfonsí, el carácter integrador de su Estoria de España, la exaltación monárquica presente en la Capilla Real de Sevilla, o el valor de la sabiduría como fuente de legitimidad del rey en la Corona de Castilla y León. ; The cultural project of Alfonso X contained clear political dimensions and presented in visual form his concept of royal power, a concept which would give origin to what is known today as the Modern State. This article examines the theoretical basis of the project, how cultural integration is achieved in the chronicle Estoria de España, how tribute is paid to the monarchy in the Royal Chapel in Seville and, finally, it studies the importance of wisdom as a source of royal legitimacy in the Crown of Castile and Leon. ; Proyecto I+D HAR2009-08091

O presente artigo trata-se de uma revisão bibliográfica que objetiva associar a teoria psicanalítica e o brincar na prática clínica, para tanto utilizaremos recortes do atendimento de uma criança que expressa seus sentimentos por meio de uma história criada durante os atendimentos. Observou-se, nas sessões, o quanto se faz importante que o psicoterapeuta possibilite a expressão criativa do paciente na hora do brincar, entendendo que a criatividade da criança pode ser facilmente interrompida quando o terapeuta demonstra saber demais. Para que a psicoterapia obtenha bons resultados é necessária a espontaneidade da criança no setting terapêutico, ou seja, ela deve ser livre para conduzir o brincar à sua maneira.

Crónica de Flores y Blancaflor is a medieval romance interpolated into a thirteenth-century account of the struggles of the kings of Asturias (eighth–ninth centuries) with the Umayyad Caliphate in Cordova. In this essay I demonstrate how the chronicler mapped political concerns onto courtly adventure narrative in order to promote ideologies of conquest and conversion. Flores's conversion to Christianity in the context of his lifelong love relationship with Blancaflor is a metaphor for the Christian dream of the conquest of al-Andalus and the conversion of Iberian Muslims and Jews.

La General Estoria, de Alfonso X El Sabio, empezó a redactarse hacia la década de 1270; su importancia radica, además del interés de su contenido, en el uso de la lengua vulgar en la redacción, su complejidad, su riqueza de fuentes y su voluntad de estilo. En las siguientes páginas se hará un recorrido del camino de la obra a lo largo de los siglos y de los estudios que numerosos investigadores, de diferentes disciplinas, han realizado en torno a este importante documento que ya se considera como una de las mejores obras literarias de las letras castellanas.

Foi com enorme satisfação que aceitei escrever a apresentação do livro Histórias de Migrantes organizado por Marilda Aparecida de Menezes e publicado pelo Centro de Estudos Migratórios através das Edições Loyola neste ano de 1992. Mas, ao ler a publicação constatei que o meu texto fora alterado em vários trechos, prejudicando e modificando o sentido do que eu escrevera. E preciso reconhecer que se algumas das mudanças corrigem e melhoram o vernáculo,outras comprometem o texto pois cada palavra usada por mim tem significado dentro daorientação teórico-m etodológica seguida. Aproveito a oportunidade oferecida por Travessia e faço as principais correções, explicando-as em notas de rodapé. [...]

En esta ponencia se estudia la biografía del emperador Trajano (98-117 DC) en la Estoria de Espanna de Alfonso X (capítulos 192-95). Siguiendo ciertos principios heredados de Suetonio (y a través de Vicente de Beauvais), la composición se hace por "rúbricas" (per species) o por orden cronológico (per tempora), dando lugar a cuatro propiedades del discurso historiográfico alfonsí: falta de datación de los hechos, anulación de los marcos cronológicos establecidos para cada capítulo, narratividad de varios segmentos y unificación de los mismos por sus similaridades temáticas. En base a estas categorías, se estudiarán las varias líneas argumentales de la biografía: campañas militares, rebeliones contra Roma, desastres naturales, relación con los cristianos y muerte y vida póstuma de Trajano. ; This paper examines the biography of Emperor Trajan's (98-117 AD) in the Estoria de Espanna by Alphonse X (chapters 192-95). Following several principles inherited from Suetonius (via Vincent of Beauvais), the composition is organized either thematically (per species) or chronologically (per tempora). Four properties of the alphonsine's historiographic discourse can be distinguished: lack of precision in thedates, disregard of the chronological frames established for each chapter, narrativity of several of their segments, and unification of them according to their thematic similarities. Based on these categories, several biographical lines will be studied: the military campaigns, the rebellions against the authority of Rome, natural disasters, the relations with the Christians, and the death and postumous life of Trajan.

En este artículo se estudia la biografía del emperador Trajano (98-117 d. C.) en la Estoria de Espanna de Alfonso X (capítulos 192-95). Siguiendo ciertos principios compositivos heredados de Suetonio (y a través de Vicente de Beauvais), la semblanza se articula por "rúbricas" descriptivas ( per species ) o por orden narrativo y cronológico ( per tempora ), dando lugar a cuatro propiedades del discurso historiográfico alfonsí: falta de datación de los hechos, anulación de los marcos temporales establecidos para cada capítulo, narratividad de varios segmentos y unificación de los mismos por sus similaridades temáticas. En base a estas categorías, se estudiarán las varias líneas argumentales de la biografía: las campañas militares de Trajano contra germanos, dacios y partos, las insurrecciones contra Roma, los desastres naturales, las relaciones con los cristianos, las anécdotas y retratos de Trajano y su muerte y vida póstuma. ; This article examines Emperor Trajan's biography (98-117 AD) in the Estoria de Espanna by Alphonse X (chapters 192-95). Following several principles inherited from Suetonius (via Vincent of Beauvais), the composition is organized either thematically and descriptively ( per species ), or chronologically and narratively ( per tempora ). Four properties of the alphonsine's historiographic discourse can be distinguished: lack of precision in the dates, disregard of the temporal frames established for each chapter, narrativity of several of their segments, and unification of them according to their thematic similarities. Based on these categories, several biographical lines will be studied: Trajan's military campaigns against Germans, Dacians, and Parthians, the rebellions against Rome, natural disasters, the relations with the Christians, the anecdotes and portraits of Trajan, and his death and posthumous life. ; Centro de Estudios Latinos