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In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created - the "MIlitant Black Domestic," the "Revolutionary Black Woman," and the "Third World Woman," for instance - spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era's organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women's artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life. -- from dust jacket

Part I. Sizing Up The Urban Crisis -- Chapter 1. Modernizing Migrants -- Chapter 2. The Social Development Solution -- Part II. Transforming The Ghetto -- Chapter 3. Developmental Separatism and Community Control -- Chapter 4. Black Power and the End of Community Action -- Part III. Cultivating LEADERSHIP -- Chapter 5. Multiculturalism from Above -- Chapter 6. The Best and the Brightest -- Epilogue. The Diminishing Expectations of Racial Liberalism

De la fin du XVIIIe siècle au début du XXIe, les politiques d'accueil des étrangers n'ont cessé de changer aux États-Unis, du fait des besoins fluctuants des industriels, de la résistance des syndicats, du poids du racisme ou des nécessités politiques. Ce panorama d'une histoire riche en conflits passe en revue les intérêts économiques et politiques propres à chaque période et les caractéristiques des communautés immigrées qui se sont succédé. De l'esclavage des Noirs jusqu'à la dure intégration des Mexicains aujourd'hui, l'histoire des États-Unis est celle d'un pays où il y a toujours de nouveaux "métèques" à stigmatiser, tandis que ceux d'hier s'assimilent.

"The 1960s may be over, but the Black Panthers--the ultimate symbol of black power, radical inspiration, and the excesses of the decade--live on. Books on the Panthers continue to be written, hip-hop artists continue to draw inspiration from them, and so many films are made about the Panthers that there is now an annual Black Panther film festival. Cultural historian Jane Rhodes examines the extraordinary staying power of the Panthers in the American imagination by probing their relationship to the media. Rhodes argues that once the media and pop culture latched onto the small, militant group, the Panthers became adept at exploiting and manipulating this coverage--through pamphlets, buttons, posters, ubiquitous press appearances, and photo ops--pioneering a sophisticated version of mass media activism. Paradoxically, the news media participated in the government campaign to eradicate the Panthers while simultaneously elevating them to a celebrity status that remains long after their demise. This new edition will feature a new preface putting the Panthers relationship with the media in context with Black Lives Matter and recent activism against racial profiling and police brutality."--Provided by publisher

Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life conformed to liberal democratic capitalism and how the movement's most radical aims were eclipsed by more moderate aspirations. Documenting the historical retreat from democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular resistance and class-conscious politics

Annotation, Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture