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In: Žurnal Sibirskogo Federal'nogo Universiteta: Journal of Siberian Federal University. Gumanitarnye nauki = Humanities & social sciences, Band 9, Heft 6, S. 1307-1319
ISSN: 2313-6014
In: History of European ideas, Band 18, Heft 5, S. 807-808
ISSN: 0191-6599
In: Man: the journal of the Royal Anthropological Institute of Great Britain and Ireland, Band 23, Heft 4, S. 779
In: Princeton Legacy Library
In: The American economist: journal of the International Honor Society in Economics, Omicron Delta Epsilon, Band 46, Heft 2, S. 69-79
ISSN: 2328-1235
This paper presents eight stories from classical Greek mythology which illustrate economic theories of truth inducement and separating equilibria. Since many students already have some familiarity with Greek mythology, these stories make ideal classroom examples.
In: The Journal of sex research, Band 10, Heft 2, S. 128-131
ISSN: 1559-8519
In: Man: the journal of the Royal Anthropological Institute of Great Britain and Ireland, Band 13, Heft 4, S. 684
In: Bulletin of the atomic scientists, Band 48, Heft 3, S. 48-49
ISSN: 1938-3282
In: Social research: an international quarterly, Band 89, Heft 1, S. 1-19
ISSN: 1944-768X
In: Gods and Goddesses of mythology
This book introduces readers the figures once believed to populate Mount Olympus. It also discusses related concepts and facts about the Greek mythological tradition.
In this thesis I will primarily examine how the retellings of Greek myths from the female perspective provide insight into the importance of myth and why these stories are still relevant today. Specifically, I will examine three major figures: Circe in Madeline Miller's Circe, Penelope in Margaret Atwood's The Penelopiad, and Medusa in Marjorie Garber's The Medusa Reader, along with a few other minor characters featured in Nina MacLaughlin's Wake, Siren. By studying the fresh perspectives provided by the narration and journeys of these characters and connecting them to plights and experiences that are currently affecting women as evidenced by political and social events such as the #MeToo movement, I hope to demonstrate the power and effectiveness of the messages that can come from these retellings, and how they can impact a modern audience and even contribute to future feminist progress.
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The ancient works of Greek civilization had almost been wiped out of human consciousness until Renaissance revisited it. In early 1800s, when Greece was revolting against Turks after 400 years of slavery, Europe discovered the old Greek tragedies and works of Greek philosophers which had been oppressed by political power bearers. In the 19th century many free spirits like Lord Byron (who died in Greece during the war) were intrigued by these works and began to reinterpret and analyse them to locate universals truths relating to philosophy, ecology, psychology, natural sciences, etc in them.Ever since Renaissance (when Shakespeare made abundant use of Greek Myths in his plays) the craze and interest in Greek mythology has not slowed down. From Homer to John Milton to John Keats to Thomas Hardy, all old and contemporary writers have looked towards Greek Myths for substance for their writing and have used them in all possible genres of literature. This paper attempts to trace the influence of Greek Mythology on English literature and contemporary culture, to point towards the literary works of various centuries which intensively used Greek myths and those English films which depict the same. An effort has been made at finding out the reason behind this continuing popularity of ancient myths and to analyse such a tremendously powerful phenomenon.
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