PRIVATE SPIRIT: THE PROSECUTION OF SELF-INTEREST AND FACTION FACTION IN SWIFT'S SATIRE
In: History of political thought, Band 5, Heft 1, S. 79-90
ISSN: 0143-781X
THE FAMOUS FRONTISPIECE OF LEVIATHAN THAT DISPLAYS A KING'S BODY COMPOSED OF HIS COUNTLESS SUBJECTS IS A MAGNIFICENT IMAGE OF SOVEREIGNTY, EXEMPLIFYING THE CONFIDENT BELIEF THAT THE LIVES AND INTERESTS OF THE INDIVIDUALS THAT COMPOSE A NATION ARE ALL INVESDTED IN THE HEALTH AND SECURITY OF THE COMMONWEALTH. SWIFT'S READING OF THE FIGURE WAS, CHARACTERISTICALLY, LESS THAN CELEBRATORY; HE LIKENED IT TO 'A CARRION CORRUPTED INTO VERMIN, STILL PRESERVING THE SHAPE AND FIGURE OF THE MOTHER ANIMAL'.1 THIS VIVID IMAGE MAY SERVE TO INTRODUCE A THEME OF SWIFT'S POLITICAL THOUGHT THAT FORMS THE SUBJECT OF THIS PAPER: HIS CONCERN AT THE DISINTEGRATION OF THE NATION INTO CELLS. WHILE HOBBES AND THE ENGRAVER OF THE FRONTISPIECE WERE DRAWING UPON THE OLD MICROCOSM /MACROCOSM ANALOGY IN THEIR PORTRAYAL OF THE STATE AS A GREAT ARTIFICIAL MAN, SWIFT COULD NOT TAKE THIS STALE PLATITUDE SERIOUSLY ANY LONGER.2 HIS ATTENTION WAS DRAWN NOT TO THE SOLIDARITY OF THE LITTLE FIGURES BUT TO THEIR ESSENTIAL ATOMIC SEPARATENESS.