Suchergebnisse

Drawing on the long and varied history of discourses of cultural hybridity across the caribbean, this book explores the rich and fraught cultural crossings that are often theorized homogeneously in postcolonial studies as 'hybridity'. What is the relationship of cultural hybridity to social equality? Why have some forms of hybridity been enshrined in the caribbean imagination and others disavowed? What is the appeal of cultural hybridity to nationalist and post-nationalist projects alike? What can we learn from the hybridization of Afro-caribbean and Indo-caribbean cultures set in motion by slavery and indentureship? In answering these questions, this book intervenes in several important debates in postcolonial studies about cultural resistance and popular agency, feminism and cultural nationalism, the relations between postmodernism and postcolonialism, and the status of nationalism in an age of globalization.

This paper proposes a fiscal policy framework we call Public Debt Targeting. The framework seeks to smooth primary spending over the business cycle while remaining consistent with public debt sustainability. Under the proposed framework, a government announces a commitment to a public debt band trajectory over the medium term, while sequentially announcing primary expenditures for the next budget cycle, which are determined recursively based on the history of shocks. Public debt targeting differs from a structural balance rule in that it internalizes the effect of the deterioration in creditwo

Acknowledgements -- Contents -- 1 Introduction: Considering Revisions -- 2 Collaborative Rewriting in Cuba's Teatro Escambray -- 3 What's Old is New Again: Ancient Greek Theater Alive in the Spanish Caribbean -- 4 Returning to the Origins: The Use of Christianity in Spanish Caribbean Theater -- 5 Returning to the Past: The Use of History in Spanish Caribbean Theater -- 6 Conclusion: Re-writing the Nation and the Self -- Works Cited -- Index

One of the most salient issues in Caribbean studies is the region's linguistic and cultural fragmentation as a result of European colonization. More than five centuries later, the islands and American countries whose shores touch the Caribbean Sea still echo such maladies. The title of this book is a call towards unity, a unity that, in the words of Barbadian poet, historian and critic Kamau Brathwaite, "is submarine." In the past, nations' borders were established based on the distance a cannon ball was able to cover when fired from land out to sea. It is time to go beyond the cannon ball distances out into uncharted territories, beyond the canon, and, thus, beyond the cannon's range.This book features a selection of essays presented at the fifth annual Caribbean Without Borders conference at the University of Puerto Rico, Río Piedras. It critically delves into the fields of linguistics, history, literature, philosophy, politics, feminism, cultural studies, music, film, and art, among many others, as a means to re-visit, re-view, re-envision, re-read, re-interpret, and thus re-create a Caribbean aesthetics that looks to submarine unity, a unity that defies spatial, temporal, and social borders. The book conveys the limitless nature of the Caribbean and its rich culture, making it an appealing transdisciplinary source for a multidisciplinary academic audience