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Critical to all aspects of academic life, academic hospitality is said to be key to creating healthy learning communities. Yet, for many outsiders, strangers and newcomers, academia can be a sight of asserting territory and superiority. Students and academics are trained to function within an institutionalized setting where success is measured through the rigid rigour of scientific enquiry and rewarded on an individual basis. The solitary journey that is heralded by the academic institution fails to recognize the fundamental need for belonging, community and kinship, leaving limited space within the academy in which to practice manaakitanga or hospitality. We argue that the Māori concept of manaakitanga not only captures the virtuous elements of hospitality, namely generosity, openness and hospitableness, that can often be excluded in hospitality literature but also serves as a mechanism for resistance in a context that serves to fragment and divide. In this article, we draw on our personal and collective experiences to describe ways in which Indigenous worldviews and perspectives are commonly met with hostility in academia. We detail our response to such inhospitality through the formation of 'Knowledge in Indigenous Networks' (K.I.N.), an Indigenous academic collective that is underpinned by manaakitanga. We conclude this article by identifying six sites for critical engagement with the notion of academic hospitality that will assist academic institutions to enact the value of manaakitanga.

El periódico rioplatense Doña María Retazos (1821-1823) fue creado, escrito, impreso y distribuido por el sacerdote franciscano Francisco de Paula Castañeda (1776-1832), escritor y actor político fundamental de la década revolucionaria y de la tumultuosa y compleja década del 20. Un elemento constitutivo del texto es su altísimo carácter intertextual a través del cual aparece una figura de autor que se expone como scriptor de antiguallas teológicas, lecturas propias del barroco ibérico y de la ilustración francesa y española, entre otras, operación devenida, paradójicamente, en empresa moderna. ; Doña María Retazos, a newspaper from Río de la Plata (1821-1823), was created, written, printed and distributed by the franciscan priest Francisco de Paula Castañeda (1776-1832) a key political actor and writer of the revolutionary decade and of the tumultuous and complex '20s. One of the most important elements of the text is its high intertextual character through which Castañeda is exposed as amanuensis of theological antiques, readings of the Iberian Baroque and Spanish and French Illustration, among others; in this way, the amanuensis becomes author and his newspaper in to a modern enterprise.

El periódico rioplatense Doña María Retazos (1821-1823) fue creado, escrito, impreso y distribuido por el sacerdote franciscano Francisco de Paula Castañeda (1776-1832), escritor y actor político fundamental de la década revolucionaria y de la tumultuosa y compleja década del 20. Un elemento constitutivo del texto es su altísimo carácter intertextual a través del cual aparece una figura de autor que se expone como scriptor de antiguallas teológicas, lecturas propias del barroco ibérico y de la ilustración francesa y española, entre otras, operación devenida, paradójicamente, en empresa moderna. ; Doña María Retazos, a newspaper from Río de la Plata (1821-1823), was created, written, printed and distributed by the franciscan priest Francisco de Paula Castañeda (1776-1832) a key political actor and writer of the revolutionary decade and of the tumultuous and complex '20s. One of the most important elements of the text is its high intertextual character through which Castañeda is exposed as amanuensis of theological antiques, readings of the Iberian Baroque and Spanish and French Illustration, among others; in this way, the amanuensis becomes author and his newspaper in to a modern enterprise.

This comment argues that the best way to clarify the answer to the question "Who's the author?" (and thus to clarify whether the creator has a termination right) is to resolve the circuit split in favor of a bright-line rule requiring execution of the written agreement prior to the creation of the work. Part I introduces the legal framework under which the issue must be analyzed. Part II reviews the holdings on each side of the circuit split. Part III presents the arguments that both proper statutory construction of U.S. copyright law and the legislative history of the termination right, which is closely related to the work made for hire provision, support the contention that the statute should be read to impose the bright-line rule. Part IV concludes.

"This study shows some generic characteristics from sports that are of relevance to
samhandling structures under risk. The findings are based on a case study of the
concept of "Total Football" and the Rosenborg Football Club (RBK) in Norway.
Football is a dynamic sport with several factors that come into play and where
flexible solutions are demanded. The case is also of relevance for organizations in
handling risk. RBK's samhandling is based on "Total Football" and flow theory. In
analyzing RBK, we also apply theories of improvisation. RBK created a platform
that gave both direction to choices and a clear playing pattern. This platform further
ensured that tasks could be executed at high speed and high intensity, described as
"flow". Flow contributed to both speed and precision in the playing pattern. It is
concluded that the following is relevant for other organizations: 1) Forming a deeper
understanding of samhandling and ensuring top management commitment; 2)
Creating, establishing and maintaining samhandling in a manner that suits the organization;
and 3) Minimal structures can be of great importance for organizations
in unforeseen and risky situations."