Suchergebnisse

Introduction: GI Joe and Rosie the riveter, meet Joe Copper! -- Butte: only white men and dagoes -- Black Eagle: immigrants' bond -- Anaconda: husky smeltermen and company boys -- Copper men and the challenges of the early-war home front -- Re-drafting masculinity: breadwinners, shirkers, or soldiers of production -- The emerging labor shortage: independent masculinity, patriotic demands, and the threat of new workers -- Making the home front social order -- Butte, 1942: white men, black soldier-miners, and the limits of popular front interracialism -- Black Eagle, 1943: home front servicemen, women workers, and the maintenance of immigrant masculinity -- Anaconda, 1944: white women, men of color, and cross-class White male solidarity -- Conclusion: the man in the blue collar shirt: the working class and postwar masculinity

Les films de Francesco Rosi font plonger dans des mondes régis les uns et les autres par des règles spécifiques et des plus strictes, auxquelles il s'agit de résister le plus possible : affaires, politique, armée, police, tauromachie ; et mafia, préoccupation essentielle du cinéaste, originaire du Sud de l'Italie. Ce sont aussi des mondes où dominent les hommes, le rôle des femmes étant cependant très marquant, surtout lorsque les hommes les évoquent absentes, manquantes, rêvées… Rosi précise qu'il attache une grande importance au « contexte » qu'il met en scène, insistant sur le caractère physique des choses et des lieux, et il adopte souvent, en relation également avec ses origines culturelles napolitaines, une ironie tragique, violence et mort étant des ressorts dramatiques décisifs dans ses films. Ceux-ci, précisément, tendent à se présenter comme des itinéraires, parfois inaboutis, invitant à explorer des chemins dans lesquels s'engager et où s'exerce également la responsabilité de cinéaste.Films cités : Les Hommes contre (1970) ; Lucky Luciano (1973) ; Salvatore Giuliano (1961) ; Main basse sur la ville (1963) ; Oublier Palerme (1989) ; Cadavres exquis (1975) ; La Trêve (1996) ; Le Christ s'est arrêté à Eboli (1978) ; Trois frères (1980) ; Carmen (1983) ; L'Affaire Mattéi (1971).

PUBLISHED ; Dublin ; The ROSIE study played an important role in developing and informing drugs policy in Ireland. The study was commissioned to establish the current impact of methadone treatment on the health of individuals and on offending behaviour. The fact that over 8,700 people are now included in the methadone programme represents a signifi cant achievement and illustrates the focus that the Government is putting on tackling the problem of drugs misuse. The outcome of this research shows that treatment does work. There were signifi cant reductions in drug use after one year in treatment and those in treatment also reported that their involvement in crime had reduced very signifi cantly. A number of those in treatment have also undergone training and some have gained employment

"The Subject of Rosi Braidotti: Politics and Concepts brings into focus the diverse influence of the work of Rosi Braidotti on academic fields in the humanities and the social sciences such as the study and scholarship in - among others - feminist theory, political theory, continental philosophy, philosophy of science and technology, cultural studies, ethnicity and race studies. Inspired by Braidotti's philosophy of nomadic relations of embodied thought, the volume is a mapping exercise of productive engagements and instructive interactions by a variety of international, outstanding and world-renowned scholars with texts and concepts developed by Braidotti throughout her immense body of work. In Braidotti's work, traversing themes of engagements emerge of politics and philosophy across generations and continents. Therefore, the edited volume invites prominent scholars at different stages of their careers and from around the world to engage with Braidotti's work in terms of concepts and/or political practice"--

Without Rosi Wolfstein and Paul Frölich, our image of Rosa Luxemburg would be completely different today. In the 1920s, the couple worked together on the estate of the murdered politician, which made it possible to produce the first edition of her works. Later, when Frölich and Wolfstein had fled from the National Socialists into exile in France, one of the earliest and at the same time most authentic biographies of Luxemburg (Rosa Luxemburg: Gedanke und Tat) was written by both of them in 1939 under Frölich's name, which was fed by this rich store of knowledge. But who were Rosi Wolfstein and Paul Frölich, who seem almost forgotten today? Their own political careers each started in the SPD before World War I, led them through the anti-war camp to the founding congress of the KPD (Communist Party). While Frölich was elected to the Reichstag, Wolfstein sat in the Prussian Landtag. Out of anti-Stalinist conviction, they left the KPD and eventually became co-founders of the SAP (Socialist Workers' Party), which they headed before fleeing. But they returned to Germany... Riccardo Altieri illustrates in a very readable way the result of his research of several years into a double biography from the point of view of network history. Only by consulting international sources from Wolfstein's and Frölich's network could the study come into being at all, since the protagonists had not left a closed estate due to the persecution during the Nazi era.

Rosi Braidotti: Posthumanismus: Leben jenseits des Menschen. Frankfurt am Main: Campus 2014. 9783593500317

Esta es una reseña del libro El conocimiento posthumano de Rosi Braidotti.