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This is the first book to undertake an applied postmedia and philosophical approach to the work of Félix Guattari (and through him, Gilles Deleuze). It provides a way to understand philosophically issues in contemporary technology, social life and consumer culture in Asia.

D. J. S. Cross argues that Deleuze's ambivalence towards affect and embodiment have been overlooked because they only become apparent through a systematic analysis of affect throughout Deleuze's work. Cross outlines how Deleuze's system of thought both ruptures and complies with the tradition the recent 'affective turn' that hinges upon it.

Untersuchungen zur Stimme haben Konjunktur. Zum Gegenstand der Forschung wird sie als konkretes akustisches Phänomen oder als Metapher. Ihr philosophisches Potenzial aber ist damit noch nicht ausgeschöpft. Anhand der Werke von Emmanuel Lévinas, Jacques Lacan, Jacques Derrida und Gilles Deleuze beschreibt Sabine Till die Stimme als Denkfigur, die gerade durch die ihr inhärente Spannung zwischen Immanenz und Transzendenz in der Lage ist, nichtsystematisches und doch kohärentes Denken zu tragen. Eine Denkfigur, die nicht zuletzt jene Lücke zu schließen vermag, welche sich in der Differenz von Ethik und Politik aufzutun scheint.

Frontmatter -- Contents -- Acknowledgements -- Introduction What is Sex? An Introduction to the Sexual Philosophy of Gilles Deleuze -- Chapter 1 Alien Sex: Octavia Butler and Deleuze and Guattari's Polysexuality -- Chapter 2 Heterotica: The 1000 Tiny Sexes of Anaïs Nin -- Chapter 3 Haemosexuality -- Chapter 4 Disability, Deleuze and Sex -- Chapter 5 Tongue and Trigger: Deleuze's Erotics of the Uncanny -- Chapter 6 (Hetero)sexing the Child: Hans, Alice and the Repressive Hypothesis -- Chapter 7 The 'Non-Human Sex' in Sexuality: 'What are Your Special Desiring-machines?' -- Chapter 8 Deleuze and Selfless Sex: Undoing Kant's Copernican Revolution -- Chapter 9 A Preface to Pornotheology: Spinoza, Deleuze and the Sexing of Angels -- Chapter 10 Encounters of Ecstasy -- Chapter 11 Beyond Sexuality: Of Love, Failure and Revolutions -- Notes on the Contributors -- Index

Intro -- THE DELEUZE-LUCRETIUS ENCOUNTER -- Copyright -- Contents -- Acknowledgements -- Abbreviations -- Introduction -- 1 Deleuze and the Adventure of Ideas -- 2 The Atomic Idea -- 3 Differentiation, Individuation, Dramatisation and Actualisation -- 4 The Encounter in Sense and Thought -- 5 In the Garden of Epicurus -- Conclusion: The Encounter -- References -- Index.

Intro -- Preface -- Paulo de Assis -- Part 1 -- Sound -- The Obscure Precursor, French Modernism, and the Musics of the World -- Edward Campbell -- The Executing Machine -- Deleuze, Boulez, and the Politics of Desire -- Martin Scherzinger -- Deleuze's Fold in the Performing Practice of Aaron Cassidy's The Pleats of Matter -- Diego Castro-Magas -- Variables, Diagrams, Process -- Pascale Criton -- Performing Music, Performing the Figure -- Deleuze and Painting -- Lois Fitch -- Machining the Voice through the Continuous Variation -- Paolo Galli -- Templates for Technique in Mantel and Lachenmann -- Between Transcendence and Immanence -- Keir GoGwilt -- Towards a Figural Paradigm in Music -- Capture of Forces and Logic of Sensation in Géométries de l'abîme (LeBlanc), In Vivo (Cendo), and The Restoration of Objects (McCormack) -- Jimmie LeBlanc -- L'image-temps -- Conceptual Foundations of My Compositional Approach -- Nicolas Marty -- Circumstantial Scores, Graphic Scores, Extended Scores -- The Work as "Ecopraxic" Rediagrammatisation -- Frédéric Mathevet -- Perform Now! -- The Ethics of Musical Improvisation -- Vincent Meelberg -- Thinking Sound through the Notion of the Time-Image -- Deleuze's Cinema Studies as a Model for Problematising Sound in Artistic Practice -- Gabriel Paiuk -- Re-Notations -- Flattening Hierarchies and Transforming Functions -- Einar Torfi Einarsson -- Alone/Together -- Simulacral "A-presentation" in and into Practice-as-Research in Jazz -- Steve Tromans -- Mike Fletcher -- A Journey of Refrains, Vibes, and Ambiences -- Félix Guattari in Terms of the Techno Party Scene -- Toshiya Ueno, aka Toshiya the Tribal -- Part 2 -- Writing and Staging -- Corpus Delicti #2 // Untimely Precursors -- Lecture Performance* -- Arno Böhler -- Susanne Valerie

Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- Contributors -- Introduction (Ciara Cremin) -- 1 The ontopolitics of gender as transindividual relation -- 2 'How do you make yourself a trans-body without organs?': Posthumanism and embodiment in trans-imperceptible subjectivity -- 3 Gender territory: A response to the charge of conservatism -- 4 Trans* teratologies -- 5 Dysphoric assemblage: How the gender binary was never supposed to work -- 6 Transmolecular revolution -- 7 Materializing transgender becoming: Norms, failures and ethics of 'The Traveler's Book of Gender Wandering' -- 8 The death and rebirth of transvestism -- Index.

'Life, War, Earth' is excitingly speculative yet empirically responsible. Protevi shows that Deleuze's ontology of the virtual, intensive, and actual [or just 'Deleuze's philosophy'] helps us understand crucial new issues in geography, cognitive science and biology. In linking the geo-political, the bio-neuro-political, and the techno-political, 'Life, War, Earth' continues Protevi's unique analysis, begun in 'Political Affect', of 'bodies politic' that go 'above, beyond, and alongside the subject'

Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Introduction -- 1. The Dogmatic Image of Thought -- 2. The Demand for Transcendental Genetic Conditions -- 3. Ideas as Problems -- 4. Time and the Split Subject -- Conclusion -- Bibliography -- Index

Explores the concept of multiplicity in Deleuze and Guattari's work and its relevance to artistic practiceProvides a series of philosophical encounters with the concept of multiplicityPoints to the potentialities circulating in various media for social changeDecolonialises our thinking about art by bypassing the mediation of the traditional western-centred art historyContributors include Mieke Bal, James Williams, Laura Marks, Gary Genosko and Eugene HollandThis collection of essays from a range of philosophers and art practitioners offers tools through which we can action change across art and philosophy, across a range of media and across the theory/practice divide.Including insights from digital apps to Indigenous ritual art and from feminist and queer art to refugee performances and talismanic magic associated with Islamic Neoplatonism, this collection will decolonise your thinking about art – subverting the traditional Western-centred art history.The first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon – 2 key influences on Deleuze and Guattari.The second section includes applied essays on specific art practices including the plastic arts, theatre, architecture, music and folk performances.Notes on ContributorsMieke Bal, cultural theorist, critic, video artist and occasional curator.Burcu Baykan, Bilkent University, Turkey.Gary Genosko, University of Ontario, Institute of Technology in Toronto, Canada.Barbara Glowczewski, National Scientific Research Center, Collège de France, EHESS, France.Eugene W. Holland, Ohio State University, USA.Adi Louria Hayon, Tel Aviv University, Israel.Laura U. Marks, Simon Fraser University, Canada.Radek Przedpełski, Trinity College, Dublin, Ireland.Daniela Voss, University of Hildesheim, Germany.James Williams, Deakin University, Australia.S. E. Wilmer, Trinity College, Dublin, Ireland.Audronė Žukauskaitė, Lithuanian Culture Research Institute, Lithuania