Suchergebnisse

A través del análisis de una serie de entrevistas con presos por motivos políticos que quedaron "libres" durante la dictadura y vivieron en la ciudad de Durazno, se abordan desde la perspectiva de los sujetos, diversos aspectos de la vida cotidiana, en las que el miedo a volver a estar preso (en un país que tuvo el índice de presos por motivos políticos más alto del continente), a perder el trabajo y sentirse perseguido son una especie de hilo conductor. ; Through analysis of a series of interviews with political prisoners who were released during the dictatorship and continued living in the city of Durazno, there are addressed various aspects of daily life, in which the fear of being imprisoned again (in a country that had the rate of prisoners continent's highest political reasons), losing their jobs and feeling persecuted were common factor. ; Fil: Correa Morales, Javier; Universidad de la República. Uruguay

Caspar Pflug fue uno de los maestros de hacer coches que llegaron a Madrid a finales del siglo XVIII procedentes de París. Después de trabajar como oficial en el taller de Andrés Tadeo Pérez, tuvo que hacer frente a los recelos de un gremio que le puso todo tipo de trabas para que pudiera establecerse por su cuenta, a pesar incluso de estar vigente un nuevo marco legislativo con el que se había alcanzado una relativa liberalización del férreo reglamento corporativo. Fruto de ese enfrentamiento fue el proceso cuya documentación se guarda en el Archivo General de Simancas, y que analizamos en el presente trabajo. En el expediente se conserva el bello dibujo de una berlina, y toda una serie de datos sobre el gremio madrileño en el que antaño se agruparon los maestros de hacer coches. ; Caspar Pflug was one of coach-builders who arrived in Madrid from Paris at the end of the eighteenth century. After working as a skilled worker in Andrés Tadeo Pérez workshop, he had to cope with the distrust of the members of the coach-building trade who hampered him to set up on his own, although there was a new legal framework in force that had led to a relative liberalization of the iron corporate regulation. A result of this conflict was the procedure whose documents are stored in the General Archive of Simancas, and that we will analyse in the current paper. In that file, the beautiful drawing of a berlin carriage is kept as well as a series of data about the Madrid trade that once gathered the best coach-builders. ; peerReviewed

Includes bibliographical references (p. 219-234) and index. ; Prospects and pitfalls of participation -- Ugandan history and the constitution-making process -- Changing attitudes -- Creating informed distrusting democrats -- Constructing constitutional support -- Participation, constitution making, and democracy. ; Mode of access: Internet.

Includes bibliographical references (p. 189-205) and index. ; Mode of access: Internet.

Giovanni C. Cattini is a young historian who offers an itemized study on Berneri's Guerra di Classe: he refers the first moments and also the definitive crisis of this newspaper after Berneri¿s assassination in May 1937. This is not the first work devoted to this militant platform has been annalysed but Cattini's approach observes not only the ideological and political contest maintained with other sectors of the libertarian movement but the contrived militant tools that have allowed its existance during the Spanish Civil War.

An article titled "Shawn refuses to use Propaganda to advance cause of Communists" written by Ted Shawn and published by the Boston Herald in May 28, 1936. This article is the 23th in a series of 27 articles about dancing written by Ted Shawn and published between April 7 and June 9, 1936 by the Boston Herald. This article focuses on Shawn's views on the role of dancing in political affairs. Shawn then goes to describe the state of dancing in the Soviet Union. ; Ted Shawn was the founder and director of the Jacob's Pillow, a dance center, school and performance space located in Becket, Massachusetts. The organization is known for the oldest internationally acclaimed Summer dance festival in the United States. Ted Shawn also taught at Springfield College during the 1932-33 school year, and a number of Springfield College students went on tour with Shawn in the first all male modern dance troupe. Ted Shawn (October 21, 1891 - January 9, 1972), originally Edwin Myers Shawn, was one of the first notable male pioneers of American modern dance. Along with creating Denishawn with former wife Ruth St. Denis, he also created the well-known, all-male company Ted Shawn and His Men Dancers. He was also the founder and creator of the Jacob's Pillow Dance Festival in Massachusetts, and was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet.

Foreward.--Italy attacks Abyssinia.--The attitude of the British and French governments.--The economic causes of the drive for empire.--Imperialism and facism.--The League of Nations.--Abyssinia-and Italy.--The opposition to the war.--Is peace possible? ; Mode of access: Internet.

Includes index. ; Bibliography: p. [93]. ; Mode of access: Internet.

Vita. ; Thesis (doctoral)--Universität Jena. ; Bibliography: p. 124-128. ; Mode of access: Internet.

A partir de las obras cinematográficas surgidas alrededor del colectivo The Film-makers' Cooperative se analizarán las implicaciones estéticas y políticas alrededor de la representación artística de la vida cotidiana, factor clave en la vanguardia de los años sesenta y setenta. Se tendrá en cuenta la relación de estas obras con una tradición cultural estadounidense, el transcendentalismo, que adapta a una nueva nación las influencias del Romanticismo inglés, y con las corrientes de pensamiento que se desarrollaban en Europa en aquellos mismos años. ; From the study of the films distributed by The Film-makers' Cooperative, we try to analyse the aesthetic and political significance of the portrayal of everyday life, a keystone of the avantgarde in the sixties. The connection with the new school of thought developing in Europe in the times of their production will be examined, as the relation with the North American cultural tradition influenced by English Romanticism, adapted to the ideas and thoughts of a newborn nation.

Problem und methode der kritik -- Zwischen herrenmoral und gemeinschaftsmoral -- Blut und sache: möglichkeiten der gemeinschaft -- Der kampf ums wahre gesicht. Das risiko der lächerlichkeit -- Wege zur unangreifbarkeit: zeremoniell und prestige -- Die logik der diplomatie: die hygiene des taktes -- Die utopie der gewaltlosigkeit und die pflicht zur macht. ; Mode of access: Internet.