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This essay considers W. E. B. Du Bois's Darkwater (1920) as a window onto Du Bois's political theory at an underexamined stage of his career and onto a challenge at the heart of black political thought: how to formulate a conception of collective life that regards the humanity of black women and men as a central concern. Exploring Du Bois's attempt to articulate what can be seen through the lens of an avowedly "black" perspective and his creative juxtaposition of different modes of writing, the author suggests why Darkwater remains a valuable resource for democratic theory in an age misleadingly described as "post-racial."

The end of the twentieth century witnessed a resurgence of demands for reparations for slavery and segregation in the United States. At the same time, a chorus of prominent political theorists warned against the threat "identity politics" poses for democratic politics. This essay considers whether it is possible to construct an argument for reparations that responds to these concerns, particularly as they are articulated by Wendy Brown. To do so, I explore how Brown's analysis of the dangers of political organizing around"wounded identities" and of appealing to the state for redress might inform and be informed by arguments for black reparations.