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In this chapter, the author explores the phenomenon of flamboyant girls' fifteenth birthday parties (quinceañeras) as a gender–specific ritual. The author discusses the ways that this life–cycle ritual celebrates the girl's entry into sexual adulthood, portrays her as an object of heterosexual desire, while simultaneously granting the girls ritual and exotic agency. The author concludes that contemporary quinceañera rituals also reflect the island's recent political and economic turn toward a more capitalist society and displays the growing racialized and gendered inequalities on the island. ; Peer reviewed

Cultures in Contact: Studies in Cross-Cultural Interaction provides an in-depth analysis of the processes that takes place in cross-cultural interaction. The title covers the outcomes of cross-cultural interaction along with the effect of such interaction to individuals involved. The text first details the social psychology of cross-cultural relations, and then proceeds to discussing the historical account of the development of research that tackles cross-cultural contact. Next, the selection deals with the processes that took place when individuals with different cultural background interact.

Cuba, an island 750 miles long, with a population of about 11 million, lies less than 100 miles off the U.S. coast. Yet the island's influences on America's cultural imagination are extensive and deeply ingrained. In this book the author probes the importance of Havana, and of greater Cuba, in the cultural history of the United States. Through books, advertisements, travel guides, films, and music, he demonstrates the influence of the island on almost two centuries of American life. From John Quincy Adams's comparison of Cuba to an apple ready to drop into America's lap, to the latest episodes in the lives of the "comic comandantes and exotic exiles," and to such notable Cuban exports as the rumba and the mambo, cigars and mojitos, the Cuba that emerges from these pages is a locale that Cubans and Americans have jointly imagined and inhabited. The book deftly illustrates what makes Cuba, as the author writes, "so near and yet so foreign."

Cultures in Contact: Studies in Cross-Cultural Interaction provides an in-depth analysis of the processes that takes place in cross-cultural interaction. The title covers the outcomes of cross-cultural interaction along with the effect of such interaction to individuals involved. The text first details the social psychology of cross-cultural relations, and then proceeds to discussing the historical account of the development of research that tackles cross-cultural contact. Next, the selection deals with the processes that took place when individuals with different cultural background interact

A comparison is made of the interrelationship between theoretical orientations and research methods of authors publishing in major U. S. journals, with those publishing in Sosiologia, the major Finnish journal. Based on a content analysis of 1,808 articles, similarities are found cross‐culturally concerning the tendency for authors with a realist theoretical orientation to use comparative historical data‐gathering techniques and for nominalists to employ data‐gathering procedures more amenable to quantification (e. g. surveys and experimental methods). These data also document the often conjectured tendency for European sociologists to emphasize a more collectivist, organic, and hence realist theoretical posture. Similarities and differences between U. S. and Finnish sociology are discussed in the context of various cultural, historical, and political differences in the maturation of sociology in the two countries.

This article reviews the main methodological complexities, that come out from carrying out comparative sociological researches of modern societies, the specificity and meaning of cross-cultural analysis.

Cuba, an island 750 miles long, with a population of about 11 million, lies less than 100 miles off the U.S. coast. Yet the island's influences on America's cultural imagination are extensive and deeply ingrained.In the engaging and wide-ranging Havana Habit, writer and scholar Gustavo Pérez Firmat probes the importance of Havana, and of greater Cuba, in the cultural history of the United States. Through books, advertisements, travel guides, films, and music, he demonstrates the influence of the island on almost two centuries of American life. From John Quincy Adams's comparison of Cuba to an apple ready to drop into America's lap, to the latest episodes in the lives of the "comic comandantes and exotic exiles," and to such notable Cuban exports as the rumba and the mambo, cigars and mojitos, the Cuba that emerges from these pages is a locale that Cubans and Americans have jointly imagined and inhabited. The Havana Habitdeftly illustrates what makes Cuba, as Pérez Firmat writes, "so near and yet so foreign.”

From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like "cowboy" and "gangster" entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political