Suchergebnisse

The research dedicated to the analysis of the evolution of historical policy in Poland after the World War II. The crucial part of the article is the role of Germany in this process. On the current stage of mutual Polish-German relations, where a remarkable point of political ties is historical conflict over the aftermath of the World War II. The evolution process of the historical process in Poland is complicated and complexed. Furthermore, the evolution of the historical narrative goes in a shadow of the ideological struggle between two blocks, which had been established after the war. It is need to point the international aspect of historical policy establishing in Poland had one point of view. On the other hand, internarial factors played the crucial role, which were attached at that time for Polish society.The aim of the research is an analysis of the process of historical policy establishing in the Polish People's Republic and research of main elements in this process. The context of the last events in Polish-German relations is heightening the role of conflict in the sphere of political history over the aftermath of the World War II. It arises the necessity to analyze more deeply the process of historical policy establishing in Poland.It had been established that the historical policy in the Polish People`s Republic was used as the instrument of internal policy and propaganda. The historical policy played two main functions is the integration and the stabilization. The function of integration is used to unite Polish society on the background of the stereotype "Germans – enemy" and for confirmation of new western territories (Ziem odzyskanych). At the same time, the historical policy led to the approval of a new sociopolitical order in Poland at that time. It is noted that historical policy in Poland has few approaches dedicated to periodization and mostly it depends on the area of research. Social researchers divide historical policy after the World War II into two periods. In contrast to social science, representatives of Political Science divide into three periods.

ResumenEste artículo ofrece un acercamiento al problema de la división racial del trabajo entre las mujeres, partiendo de un análisis en torno a la estratificación social, de género y racial presente en la dicotomía arte culto/arte popular. Se trata de una reflexión feminista acerca del valor que se concede a la producción cultural de las mujeres con base en la racialización.Se aborda la cuestión desde el ámbito de la producción textil: el arte, el diseño y la práctica textil artesanal, tomando como eje de estudio el trabajo teórico y político del Movimiento Nacional de Tejedoras Mayas de Guatemala para examinar la relación entre racismo y colonialidad, así como para exponer el tema de la apropiación cultural.Abstract This article offers an approach to the problem of the racial division of labor among women, based on an analysis of the social, gender and racial stratification present in the Fine Arts/Traditional Arts dichotomy. It is a feminist reflection on the value given to women's cultural production based on racialization.The issue is approached from the field of textile production: art, design and handcrafted textile practice, taking as an axis of study the theoretical and political work of the National Movement of Mayan Weavers of Guatemala to examine the relationship between racism and coloniality, as well as to expose the issue of cultural appropriation.

The paper summarizes the extant written data on Chinese painting on silk in the initial century of the Period of Disunion (Six Dynasties, Liu chao, III–VI A.D.), known as the Sanguo (220–280) and the Western Jin (265–317) epochs. While it is scattered among diverse sources, it is mainly in the Lidai minghua ji treatise of Zhang Yanyuan (ca. 810–ca. 990). An analysis of accounts of individual masters and their creative activities attempts to reconstruct the probable artistic and essential features of pieces of art lost afterwards, offering a novel explanation of the initial stage of the formative process of an important genre of composition in Chinese painting and culture.

This article is artists' statement. It deals with several theoretical questions surrounding the art performance Mehāniskais Veidenbaums ("Mechanical Veiden- baums", 2017). The performance was based on E. Veidenbaums' (1867–1892) "Discourse on Mechanics" (Apcerējumi iz mekānikas, 1894). An introductory remark about relations between research and art is given in the first part of the article. The second part argues about historical fantasy and its application in historical and philosophical research. The final part describes historical details used in the performance.

The purpose of this study is to introduce and enrich the importance of historical knowledge for the analysis of choreographic art. Research methodology. In conducting this research, a comprehensive analysis of historical knowledge was carried out. The interaction between historical context, cultural influences, and artistic innovations was examined, emphasising the critical significance of historical understanding in studying the evolution of choreographic art. Scientific novelty. During this investigation, it was determined that the combination of historical knowledge with choreography establishes a standard criterion for the development of choreographic art, which serves two functions: enriching objective and scientifically valuable information and facilitating the practical realisation of choreographic creativity aimed at achieving goals related to the analysis of choreographic art's development. Conclusions. The significance of historical knowledge in analysing the development of choreographic art is difficult to overestimate. Studying the historical context, cultural influences, and artistic innovations provides a deeper understanding of the evolution of choreographic practices. Historical knowledge shapes modern choreography, providing a platform for artistic research and innovation. It also helps us comprehend our heritage and the origins of various aspects of contemporary life, including political structures, social norms, cultural traditions, and scientific achievements. They demonstrate how the past influences our present and shapes our values and identity. Embracing historical understanding is of utmost importance in assessing the richness, diversity, and continuous development of choreographic art. As we delve deeper into the process of related research, the use of historical knowledge will play a crucial role in shaping future directions of this captivating art form.
Keywords: history, historical knowledge, choreography, choreography history, cultural influence, artistic innovations.