Suchergebnisse

"This book aims to provide insight into the "soft" side of real estate research and the interesting results and implications of the real estate research outside the traditional realm of investment/financial aspects. The book also attempts to answer what constitutes the so-called "soft-side" of real estate research if we shift our focus from the usual financial returns and investment analysis. It also attempts to address whether there is such thing as an alternative real estate research paradigm. The book also argues that research in real estate should not only be limited to land and property market performance analyses as this may greatly impair the potential research implications of various real estate studies. The book argues that such analyses take on a very myopic view of real estate research. This book will interest many who wish to learn more about the alternative aspect of real estate research which is more than just about investment analysis"--

PurposeThis study aims to provide a different view of existing statistics and apply them to a current topic.Design/methodology/approachThis study puts previous literature together in a way that supports a real estate-focused viewpoint.FindingsThe build environment can help or hinder diversity in the workplace.Research limitations/implicationsLimitations of this study are that it is so macro that there is no direct study involved. The implications are that if companies want to achieve good "S" in ESG scores, they need to think about their real estate in different ways.Practical implicationsThe implications are that if companies want to achieve good "S" in ESG scores, they need to think about their real estate in different ways.Social implicationsPeople should understand that there are inherent barriers to success built into the system, and value their employer's efforts to ameliorate them accordingly.Originality/valueTo my knowledge, no one has approached this issue in this way before. The focus is typically micro, and while there is a lot of research out there focusing on the micro effects or impacts, they are without understanding how the built environment impacts these outcomes.

This study aimed to characterize the real estate investment portfolio and describe the real estate investment climate in Batangas province particularly the residential real estate property. The researcher used descriptive research design to attain its objective. Questionnaire is the primary instrument used to gather pertinent data from the 391 residential real estate investors from different subdivisions and condominium projects within Batangas province. The researcher used stratified proportional random sampling to determine the qualified respondents of the study In order to analyze the data gathered frequency percentage mean and One way Analysis of Variance were utilized. Findings revealed that the common real estate investment portfolio in Batangas province are single detached properties funded through their salary paid through instalment basis and owned the property for 6 to 10 years. The status of real estate investment climate is favorable in terms of socio-cultural technological economic ecological and political aspects. There is significant difference on the assessment of the respondents to socio-cultural aspect when grouped according to source of fund to buy the property and years of ownership technological aspect when grouped according to source of fund to buy the property economic aspect when respondents are grouped according to source of fund and financial option to buy the property ecological aspect when respondents are grouped according to financial option to buy the property political aspect when respondents are grouped according to real estate property purchased and source of fund to buy the property.

The interpretation and valuation of real options by means of options pricing theory can be regarded as a relatively new paradigm of investment theory. Option pricing theory based investment valuation represents a sound theoretical basis and offers principally a simple decision base. The approach recognises entrepreneurial flexibility and risk explicitly. It implies a positive correlation between flexibility respectively uncertainty and the value of options. Traditional deterministic‐dynamic standard methods of valuation are not able to value flexibility or risk effectively so that option values are adequately reflected. As property investors gradually embrace modern financial concepts it is clear that real estate valuation theory will have to change. One of the most promising areas that could have an important implication on the further development of valuation is the application of the real options paradigm. The author investigates the transfer of general real options theory through an examination of academic results in the field of real estate development. He comes to the conclusion that current research generates highly academic‐abstract results with limited practical value. So far a limited number of quantitative studies regarding the valuation real estate projects with the real options method have been conducted. Practical valuations have yet to be comprehensively carried out. For doing so, further research concerning the basic prerequisites of real options theory has to be undertaken.

2000 to 2010 was a remarkable decade for real estate. It started with the dot.com bubble and ended with the putative recovery from the Great Financial Crisis. The period in-between featured the world's first coordinated real estate boom and slump. This book is based on a series of briefings on the relationship between macro economic events and real estate markets in the era of globalisation that covered the period. Collectively they offer unique insights, new ideas and practical approaches to real estate economics, grounded in the day-to-day realities of investment, development and fund management operations in a leading international property company.

This title provides a detailed discussion of public real estate markets and investments in a global context, along with a synthesis of important, recent, and relevant research studies in a straightforward manner. It also describes the subprime mortgage crisis. The book has three sections: foundations of public real estate; public debt markets and investments especially mortgage markets and mortgage-backed securities; public equity markets and investments.

From 18 February to 28 March 2015 Real Estates was a project coordinated by art collective Fugitive Images opening at PEER as a social, discursive and imaginative space around issues of housing and spatial justice in East London through a constantly changing series of exhibitions, screenings, discussions, readings and workshops. 'This project arrives at the end of a seven-year series of collaborative works with our neighbours of the Haggerston Estate. Our work came from within the community, with whom we cultivated other spaces to gather, share and campaign before the estate was demolished. Our neighbourhoods and communities are facing even greater threats from new developments and policies that separate and stratify us. But there are also many that have resisted these forces. In these six-weeks we invite in other communities, speakers and artists related to the housing crisis in London. The project will act as a platform for campaign groups and engaged makers to bring their important work into a different space, to share with us a glimpse of their own long-term projects on key sites. The gallery will host works that connect us, that illuminate, that bring pain to the surface, that inspire tenderness, that reject terrifying social injustices and restore ethical imperatives. The events programme brings together discussions around eviction, displacement and homelessness and their expression through an art that is committed to being made public and shared. This is not for profit, there nothing for sale and all events will be free.' Fugitive Images Fugitive Images are Andrea Luka Zimmerman and David Roberts, a collaborative cultural activist producing agency, with a particular interest in, and commitment to, the social organisation of urban space. The exhibition was an opportunity to extend this collaboration to other communities, campaigners and artists who have made it their life's work to make visible the impacts of eviction, displacement and homelessness on everyday lives. These rooms hosted works and events that connect us, that illuminate, that bring pain to the surface, that inspire tenderness, that voice solidarity. Together we hope to develop a deeper understanding and find strategies to resist terrifying social injustices and restore ethical imperatives. Exhibiting work from: Fugitive Images (Andrea Luka Zimmerman and David Roberts), Tom Hunter, James Mackinnon, Bekki Perriman, Moyra Peralta, Cardboard Citizens, DIG Collective (William Bock, Alberto Duman, Sophie Mason and Mark Morgan), Focus E15 Campaign, Smart Urhoife, UEL Unit 10. Contributions from: Owen Jones, Hackney Digs, Pau Faus, Pau Faus, Silvia Gonzáles-Laá, Xavi Andreu, Aysen Denis, John Smith, Jane Rendell, Beverley Robinson, Aysen Dennis, Richard Baxter, Caterina Sartori, Brandon LaBelle, John Rogers, Jeremy Till, Barry Watts, Ken Loach, Kerry Simmons, Dave Sinclair, Lesley Woodburn, Sarah Kwei, Dave Smith, Paul Heron, Felicity Downing, Adrian Jackson, Marcia Farquhar, David Madden, Lisa McKenzie, Tom Gann, Alberto Duman, Louise Sayarer, Eva Vikstrom, Tom Cordell, Kate Macintosh, Paul Watt, Melissa Butcher, Jon Fitzmaurice, Fuel Poverty Action, Tawanda Nyabango, Jasmin Parsons, Geraldine Dening, Alison Balance, Patrick Langley, Morgan Quaintance, Rab Harling, Sue Lukes, Advisory Service for Squatters, Green and Black Cross, Legal Defence and Monitoring Group, Sweets Way Estate, HASL, Unite Communities, Our West Hendon, Guinness, Skills Network, Radial Housing Network, Dorothy Allan-Pickard, Rastko Novakovic, Steven Ball, Kate Belgrave, Jason Parkinson, Julian Samboma, LCAP, Sibyl Trigg, John Murray, Elisabeth Blanchet, Jane Hearn, Andre Anderson, Raze, Predz UK, Kayden Bell, Jade Snyper, Nathaniel Telemaque, Municipal Dreams, Guillaume Meigneux, Stephen Watts, Lorna Forrester, Elam Forrester, Alison Marchant, Gillian McIver, Emer Mary Morris, Cathy Ward, Nela Milic. --- Programme overview Each week PEER will host a rolling exhibition programme, events and screenings featuring a number of strands. from 7pm – Openings and socials 2-5pm – Class Room, workshops and lectures for students and the public from 6.30pm – Focus, film screenings, talks, readings and actions from 6.30pm – Film screenings 2-5pm – Homeworks – Public talks from key figures/campaigns on housing All of the events are FREE, but it is strongly advised to arrive at least 10 minutes prior to the start time as space is limited and seats will be allocated on a first come first served basis. Weekly Programme: 18 February 7pm, Owen Jones, author, campaigner and Guardian columnist will launch the Real Estates project. Week One 18 to 21 February This week expands on the Estate project by Fugitive Images, featuring material generated from their long-term engage- ment on the Haggerston Estate in collaboration with residents and local practitioners. Key events include an evening with filmmaker John Smith including screenings of Hackney Marshes and Blight, UEL Unit 10 students will hold a seminar on their design and engagement with the Nightingale Estate and talks from the information, support and campaign group Hackney Digs. Week Two 25 to 28 February This week features a large-scale model of the Holly Street Estate (demolished in 2001), a photographic sculpture concieved and designed by artists James Mackinnon and Tom Hunter. Hunter will also exhibiting photographs of Holly Street residents (1997) and his film A Palace for Us (2010). Events include workshops with sound artist Brandon LaBelle and architectural theoretician Jane Rendell, and a talk by architect and Head of Central Saint Martins, Jeremy Till. Film- maker and writer John Rogers (Trews Reports/Drift Report) surveys his ongoing series of videos highlighting housing cam- paigns around London including the New Era Estate, West Hendon, and Save Soho. Week Three 4 to 7 March This week is themed around homelessness. Bekki Perriman's The Doorways Project explores homeless culture through photography and sound, inviting visitors to pay attention to the intimate, sometimes humorous, often disturbing and mostly ignored stories of homeless people. This will be accompanied by photographs by Moyra Peralta and work from Cardboard Citizens which has been making theatre with homeless people for over 20 years, for homeless and non-home- less audiences. Cardboard Citizens is informed and inspired by Augusto Boal's Theatre of the Oppressed, using the arts to provoke debate and rehearse actions. Events include a screening of Ken Loach's Cathy Come Home and talks by performance artist Marcia Farquhar and campaigners Lesley Woodburn and Barry Watt. Week Four 11 to 14 March This week is curated by DIG Collective, formed of William Bock, Alberto Duman, Sophie Mason and Mark Morgan, who came together to interrogate demolition and redevelopment, ritual and nature in Hackney Central. Week Five 18 to 21 March This week is run by Focus E15 Campaign, continuing to build their movement that demands SOCIAL HOUSING, NOT SOCIAL CLEANSING. The week will be a melting pot of ideas and events, exhibiting visual materials and films about their campaign, hosting an eviction resistance workshop, open mic night, discussions and socials. Week Six 25 to 28 March The final week will feature an expanded enquiry from Fugitive Images, including politics and high fashion expressed in the Ghana Must Go bags made by Estate fashion designer Smart Urhiofe. Events include a panel discussion by and on Women, Home and Activism with Lorna & Elam Forrester, Gillian McIver, Lesley Woodburn, Emer Mary Morris, Alison Marchant, Cathy Ward,Aysen Dennis, Nela Milic, and Andrea Luka Zimmerman; a screening of Guillaume Meigneux's HLM – (Slightly Modfied Housing); readings from poet Stephen Watts; and an evening with the Authors of the Estate project contributors – Andre Anderson, Raze, Predz UK, Kayden Bell, Jade Snyper, Nathaniel Telemaque. PEER, LUX, Restless Futures, CSM. Fugitive Images are Andrea Luka Zimmerman and David Roberts, a collaborative cultural activist producing agency, with a particular interest in, and commitment to, the social organisation of urban space.