Adventures of the naked Truth: the Dreyfus Affair and the female form
In: French cultural studies, Band 12, Heft 35, S. 123-147
ISSN: 1740-2352
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In: French cultural studies, Band 12, Heft 35, S. 123-147
ISSN: 1740-2352
In: Australian feminist studies, Band 15, Heft 33, S. 335-342
ISSN: 1465-3303
In: The sociological quarterly: TSQ, Band 37, Heft 4, S. 645-671
ISSN: 1533-8525
In: Theory and society: renewal and critique in social theory, Band 23, Heft 6, S. 839-881
ISSN: 1573-7853
In: Theory and society: renewal and critique in social theory, Band 23, Heft 6, S. 839-881
ISSN: 0304-2421
In: Al-Raida Journal, S. 69-71
Ann-Louise Shapiro's Breaking the Codes: Female Criminality in Fin-de-Siècle Paris is a compelling and innovative cultural history of the problem of the female criminal in France at the turn of the century. Shapiro's work is also refreshingly distinct from other histories of this period in that it brings a sense of theoretical rigor to her primary argument that the female criminal was "a code that condensed, and thus obscured, other concerns" (p. 4). In this sense Shapiro's work is reminiscent of Mary Louise Roberts' Civilization Without Sexes: Restructuring Gender in Postwar France, 1917-1927 (Chicago, 1994) and Maria Tatar's Lustmord: Sexual Murder in Weimar Germany (Princeton, 1995), recent works which address historical responses to the problem of dangerous femininity.
In: Criminal Practice Ser.
Honour, Violence and Emotions in History is the first book to draw on emerging cross-disciplinary scholarship on the study of emotions to analyse the history of honour and violence across a broad range of cultures and regions. Written by leading cultural and social historians from around the world, the book considers how emotions - particularly shame, anger, disgust, jealousy, despair and fear - have been provoked and expressed through culturally-embedded and historically specific understandings of honour. The collection explores a range of contexts, from 17th-century China to 18th-century Sou
Bodies and Culture is a collection of contemporary interdisciplinary research on bodies from emerging scholars in the humanities and social sciences disciplines and addresses issues relating to a range of historical and contemporary contexts, theories, and methods. Examining the diversity and capabilities of bodies, this volume focuses on the role of culture in shaping forms and conceptions of the corporeal. In particular, these essays interrogate the role of the body in articulating and rein