Suchergebnisse

AbstractNew sporting practices of modernity were products of complex dynamics of cultural remaking. Most accounts of the emergence of alpinism describe the new activity as part of modernization. As ways of seeing mountains changed, so did ways of moving in them. This involved a sharp break with the British gentlemanly preference for climbing without technical assistance. Modernists and alpinists found a new common ground in the Ostalpen of Tirol, a place commonly represented as one of the most traditional and Catholic locations in central Europe. In mountaineering, we may imagine a similar turn to that of artistic modernists. This article explores how the region pulled together two apparently oppositional cultural forces. In this process, there is no simple grand narrative of modernization that creates an international sporting culture of the mountains: on the one hand, in popular culture, the Ostalpen and the Dolomites in particular represented premodern forms of religiosity, from Orientalist aesthetics to the most conservative styles of Catholicism; on the other hand, the region served as a proving ground for the most technologically advanced and self‐consciously modern forms of alpinism.