Suchergebnisse

Part One:. - Formation and Salvation History. - 1. The Quran. - 2. The Life of Muhammad. - 3. Hadith. - 4. Religious History. - Part Two: Elaboration of the Tradition. - 5. Qu'ranic Interpretation. - 6. Theology and Philosophy. - 7. Law. - 8. Sufism

This edited volume addresses the ways in which the city has been explored in works of literature by classical and modern 'Arab' authors from different theosophical and ideological backgrounds.

1 Introduction -- 2 Developments in the Literature on Adam Smith: An Evaluative Survey -- 3 Recent Literature on Malthus -- 4 David Ricardo: A Review of Some interpretative Issues -- 5 John Stuart Mill Interpretation Since Schumpeter -- 6 Classical Reassessments -- 7 Some Developments in Marxian Theory Since Schumpeter -- Author Index.

This paper outlines a classical management model of control based upon concepts identified in the writings of Frederick Taylor and Henry Fayol. The classical model's constituent concepts are found to be replicated in early accounting literature. The accounting model persisted right through the 1970s with only one conceptual change that reflected a concept discussed by Fayol. A number of factors which may have influenced the accounting model's replication of the classical management model are then considered. These include the linguistic derivation of the term "budget", historical approaches to budgeting by governments, the scientific and efficiency orientation of accountants in the past and their perception of the corporate budget.

No matter how much the phenomena of artistic creation are studied, there are still so many unsolved mysteries and strange problems that can be seen only in the example of the poetics of poetic unity, which is called a byte in classical poetry. Because often when we know the name of each poetic event and its general properties, we think in all places within the framework of these general concepts, views. However, the study of issues such as the formation of a small poetic unit, its requirements, its peculiarities, historical development and destiny requires a great deal of strength, knowledge and effort. One of the genres in Uzbek classical poetry, which consists of four lines based on bytes, is rubai. This genre consists of two bytes. The rubai tarona, that is, the rubai with four rhymes, has a structure of two musarra bytes, while the ordinary rubai consists of one musarra and one Aryan byte. the second criterion is that the Hajj sea is written in the ahram and akhrab trees, each consisting of twelve branches. Hence, in classical poetry, the rubai must be written in twenty-four weights.