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The turn to optimism makes figures of progress, consumption, self-making and empowerment appear in various genres of chick-lit. These narratives, however, are often still shaped by a depressive tone that is distinct from one that says that women have more options than happy-ever-after, even while heterosexual romance remains a structuring force. This article takes the Ghanaian web-series An African City as its example to explore this ambivalence. An African City offered its first season in 2014 and was immediately received as 'Africa's own Sex and the City', praised for challenging the image of a backward Africa, while criticised for offering an unrealistic account of life for urban African women. The series is set around the lives of five women, one of whom plays the leading role as narrator. The 'African city' serves as another character, rather than a mere backdrop for the action to unfold. I argue that the various characters perform an ongoing ambivalence towards progress, always stuck in a look backward. It is not simply that the quest for romance fails as part of the drama, but that the drama of failure itself folds onto both the African city and African women as figures that remain eternally stuck in their relation to the temporalities that accrue around modernity.

Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Glossary of Kiswahili Terms -- 1. Introduction -- 2. Researching Food in Mwanza -- 3. Changing Patterns of Consumption: Effects and Determinants -- 4. Mwanza's African and Asian Households -- 5. Historical Transformations in Household Composition -- 6. Pooling, Straddling, Juggling, and Balancing on One Foot -- 7. Farming the City -- 8. Food, Gender, and Survival among Street Adults -- 9. Lessons on Food, Childhood, and Work from Street Girls and Boys

This paper draws on insights from the African Perspectives on Human Mobility research programme, which included four research teams based at universities in Ghana, Nigeria, Morocco and the Democratic Republic of Congo. The paper first provides some details on the background and findings of the projects conducted by the four teams in various African cities. It then turns to some reflections on the theoretical implications and questions raised by these research findings and presents four broad points. First, by showing African cities as a place of attraction for international migrants, these findings highlight the curious absence of other research into international migration towards other African cities. Second, the city is a zone of departure not just in terms of being a stepping stone to long-distance migration, but also in terms of being what we might call a 'forge' for migratory behaviour – where migration is shaped through urban life. Third, the paper draws attention to the different practices of integration and exclusion of migrants that are in evidence in these African cities, again observing the limited research in this area. Fourth, in contrast to the global cities literature, which largely bypasses the African continent, we note that the cities included in this study are clearly enmeshed in transnational and global networks, not merely as departure points for migrants, but also, significantly, as attractive spaces for migrants and mobile traders – for creativity, connections and exchange. The paper concludes by reflecting on how we might better understand the links between internal, regional and inter-continental migration in the context of Africa, suggesting that examining global African migrations in more detail may help us understand better the emergence of new migration systems.

This paper draws on insights from the African Perspectives on Human Mobility research programme, which included four research teams based at universities in Ghana, Nigeria, Morocco and the Democratic Republic of Congo. The paper first provides some details on the background and findings of the projects conducted by the four teams in various African cities. It then turns to some reflections on the theoretical implications and questions raised by these research findings and presents four broad points. First, by showing African cities as a place of attraction for international migrants, these findings highlight the curious absence of other research into international migration towards other African cities. Second, the city is a zone of departure not just in terms of being a stepping stone to long-distance migration, but also in terms of being what we might call a 'forge' for migratory behaviour – where migration is shaped through urban life. Third, the paper draws attention to the different practices of integration and exclusion of migrants that are in evidence in these African cities, again observing the limited research in this area. Fourth, in contrast to the global cities literature, which largely bypasses the African continent, we note that the cities included in this study are clearly enmeshed in transnational and global networks, not merely as departure points for migrants, but also, significantly, as attractive spaces for migrants and mobile traders – for creativity, connections and exchange. The paper concludes by reflecting on how we might better understand the links between internal, regional and inter-continental migration in the context of Africa, suggesting that examining global African migrations in more detail may help us understand better the emergence of new migration systems.

This book focuses on the patterns of change in one of Africa's well-known traditional cities, Benin. It attempts to analyse, from a geographical viewpoint, the major factors involved in the evolution of urban life in Benin from the pre-colonial era to the present day. Special attention is paid to the analysis of the spatial patterns associated with the process of urban development in Benin. (DÜI-Hff)

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969

New cultural animal geography offers conceptual tools for a reinterpretation of urbanization in Africa. This article applies transspecies urban theory to the existing literature on urban livestock in the developing world, as well as a case study of chickens in Botswana to demonstrate how cities are inextricably wrapped up in human—animal relations. A focus on animals as influential actors, and interspecies mingling encourages one to acknowledge that animals are shaped by, and are themselves central actors in the constitution of, urban form, function, and dynamics. Recognition of subaltern `animal towns' challenges the perceived centrality of human existence.