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"It was heaven on earth--and, some whispered, the devil's garden. Thousands came by trains and carriages to see this new Eden, carved from hundreds of acres of wild woodland. They marveled at orchards bursting with fruit, thick herds of Ayrshire cattle and Cotswold sheep, and whizzing mills. They gaped at the people who lived in this place -- especially the women, with their queer cropped hair and shamelessly short skirts. The men and women of this strange outpost worked and slept together -- without sin, they claimed. From 1848 to 1881, a small utopian colony in upstate New York -- the Oneida Community -- was known for its shocking sexual practices, from open marriage and free love to the sexual training of young boys by older women. And in 1881, a one-time member of the Oneida Community -- Charles Julius Guiteau -- assassinated President James Garfield in a brutal crime that shook America to its core. An Assassin in Utopia is the first book that weaves together these explosive stories in a tale of utopian experiments, political machinations, and murder. Against a vivid backdrop of ambition, hucksterism, epidemics, and spectacle, the book's interwoven stories fuse together in the climactic murder of President Garfield in 1881 -- at the same time as the Oneida Community collapsed."--

This book examines the social construction of legal relations between people and things in Brazil during the 19th century through the analysis of court cases discussing dominion and possession over slaves and land. The chapters address topics such as the role of social recognition in situations of possession, the process of delegitimizing acts of land usage from indigenous peoples, dependent persons and women, and the widespread illegal acquisition of slaves and land

Frontmatter -- Contents -- Preface -- Introduction -- The Decline of Political Trust and the Rise of Populism in the United States -- Waning Trust in (Scientific) Experts and Expertise? -- Shifting Meridians of Global Authority -- Trust and the City -- "We must trust that look of hers" -- "We believe that we have a right to revelations, visions, and dreams from God" -- The Trust Debate in the Literature of the American Renaissance -- Authority, Genealogy, Infrastructure -- Shoppers, Worshippers, Culture Warriors -- List of Contributors

American urbanites once lived alongside livestock and beasts of burden. But as cities grew, human-animal relationships changed. The city became a place for pets, not slaughterhouses or working animals. Andrew Robichaud traces the far-reaching consequences of this shift--for urban landscapes, animal- and child-welfare laws, and environmental justice.

"This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically "hysterical" performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism."--Page i

From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792-1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict. --

This volume looks at territories such as reservations, model villages and collective towns as the spatial materialization of forced assimilation and "progress". These disciplinary spaces were created in order to disempower and alter radically the behavior of people who were perceived as ill-suited "to fit" into hegemonic imaginations of "the nation" since the 19th century.Comparing examples from the Americas, Australia, North and East Africa, Central Europe as well as West and Central Asia, the book not only considers the acts and legitimizing narrations of ruling actors, but highlights the agency of the subaltern who are often misrepresented as passive victims of violent assimilation strategies.

"Richard Tuck traces the history of the distinction between sovereignty and government and its relevance to the development of democratic thought. Tuck shows that this was a central issue in the political debates of the seventeenth and eighteenth centuries, and provides a new interpretation of the political thought of Bodin, Hobbes and Rousseau. Integrating legal theory and the history of political thought, he also provides one of the first modern histories of the constitutional referendum, and shows the importance of the United States in the history of the referendum. The book derives from the John Robert Seeley Lectures delivered by Richard Tuck at the University of Cambridge in 2012, and will appeal to students and scholars of the history of ideas, political theory and political philosophy"--

Frontmatter -- Contents -- About Madison's Notes -- Introduction -- 1. The Genre of Legislative Diaries -- 2. The Practice of Working Notes -- 3. The Success of the Opening Days -- 4. Struggling with Speeches -- 5. An Account of Failed Strategies -- 6. Acquiring a New Role -- 7. The Complexity of Drafting -- 8. The Convention's Changing Relevance -- 9. Correcting and Revising the Notes -- 10. The Infl uence of Mr. Jefferson -- Conclusion -- The Evidence -- Abbreviations -- Notes -- Acknowledgments -- Index