The auditory culture reader

Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- List of Contributors -- Introduction -- Part I: Sound Engagements Introduction -- 1 Hearing Loss -- 2 Descartes's Resonant Subject -- 3 Cross Polytopes and Octaphons More Agreeable: Toward a Taxonomy of Sounds All Around But Not Quite There -- 4 Each Echoing Opening -- Each Muffled Closure -- 5 Sounding Out the City: An Auditory Epistemology of Urban Experience -- 6 Sound Studies Meets Deaf Studies -- 7 Making Sense of Race -- 8 Words as Persuasive Art -- 9 Situative Signals in Sonic Conflicts: An Anthropology of Sound Design -- Part II: Sound Methodologies -- 10 Tape recorder -- 11 Hearing Urban Regeneration: Community Composition as a Tool for Capturing Change -- 12 Sonic Geographies, Soundwalks and More-Than-Representational Methods -- 13 Walking Through the Woodlands: Learning to Listen with Companions Who Have Impaired Vision -- Part III: Spaces of Sound -- 14 The Auditory Markers of the Village -- 15 The Telephone Booth: Fixed Mobility and the Evolution of Sonic Space -- 16 Know It Well, Know It Differently: New Sonic Practices in Late Nineteenth-Century Theatre-Going: The Case of the Theatrophone in Paris -- 17 Memories of Sound: Socioeconomic, Community and Cultural Soundscapes of Smithfield, Dublin from the 1950s -- 18 Busking and Negotiations of Urban Acoustic Space in South Bank, London -- 19 Aural Postcards: Sound, Memory and the City -- Part IV: Conflicting Sounds -- 20 Sectarian Sound and Cultural Identity in Northern Ireland -- 21 Noise of the Past: Spatial Interruptions of War, Nation and Memory -- 22 Unruly Voices in the Museum: Multisensory Engagement with Disquieting Histories -- 23 'A few feet of film run backwards': Tracing the Sonic Construction of Shellfire, 1914-30.