In: Cambridge studies in literature and philosophy
Wittgenstein is often regarded as the most important philosopher of the twentieth century, and in recent decades, his work has begun to play a prominent role in literary studies, particularly in debates over language, interpretation, and critical judgment. Wittgenstein and Literary Studies solidifies this critical movement, assembling recent critics and philosophers who understand Wittgenstein as a counterweight to longstanding tendencies in both literary studies and philosophical aesthetics. The essays here cover a wide range of topics. Why have contemporary writers been so drawn to Wittgenstein? What is a Wittgensteinian response to New Historicism, Post-Critique, and other major critical movements? How does Wittgenstein help us understand the nature of style, fiction, poetry, and the link between ethics and aesthetics? As the volume makes clear, Wittgenstein's work provides a rare bridge between professional philosophy and literary studies, offering us a way out of entrenched positions and their denials-what Wittgenstein himself called 'pictures' 'that held us captive.'
In: Cambridge Studies in Literature and Philosophy Series
Providing a rare bridge between professional philosophy and literary studies, this book focuses on topics central to both fields: interpretation, reading, and critical judgment; the relationship between literary texts and history; the ethical dimensions of artworks; the nature of style, fiction, and poetry.
In: Cambridge studies in literature and philosophy
"The Introduction offers a brief overview of why Wittgenstein has come to matter to contemporary literary studies and philosophical work on literature. In addition to explaining what "literary Wittgensteinianism" is, it provides a point of entry into the chapters of this volume by explaining the basic difference between the "early" and "late" Wittgenstein and how each has opened up novel ways of thinking about the relationship between philosophy and literature"--
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