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On 6 September 2012, the writer Jean-Marie Gustave Le Clézio published a gallery in Le Nouvel Observateur, in reaction to the publication two weeks earlier at the Pierre-Guillaume De Roux editions of the trial entitled Shantom Language, followed by Anders Breivik's Literary Eloge. written by French publisher and writer Richard Millet.In this test, the author returns to the tuition held on the island of Utøya, Norway, on 22 July 2011, where the young Norwegian Anders Breivik merged sixty-nine young people together for the summer camp of the League of Young Labour (AUF), after having killed eight more people in the Labour Government district. With this ideological crime, which shocked and disrupted global public opinion, Anders Breivik wanted to 'advertise' the manifesto in which he advocated support for 'cultural conservatism', ultranationalism, right-wing populism, Islamophobia, Zionism, anti-feminism and blanced-nationalism. perceived as a provocative pamphlet, Richard Millet relies on the actions of Anders Breivik to denounce multiculturalism and warn of the loss of identity marks, the purity of origin and language. He says that he is struck by the "formal perfection" of the crimes of the Norwegian who prepared his acts without the police being aware of them at any time: acts which in his view justify a "literary praise". even if he went so far as to say that the deadly operation carried out by Anders Breivik was "no doubt what Norway deserved and what awaits our ever-blind societies", which, for him, makes Anders Breivik both a 'mayor' and a 'victim'. The strong reaction of J.M.G Le Clézio, all the more noticed, given that it is not common for the writer to intervene publicly in media controversy. is perfectly understood in the sense that Richard Millet denounces subjects that are just expensive to the author and recurring throughout his literary production, such as miswriting, interculturality, identity and alterability. In his text, entitled 'lugubre elucubration', J.M.G Le Clézio first wonders about ...