TY  - GEN
TI  - Engagement on the Scottish scene at the time of the referendum. From stage to canvas, from text to tweet. ; L'engagement sur la scène écossaise à l'heure du référendum. De la scène à la toile, du texte au tweet
AU  - SCHAAF, Jeanne
PY  - 2016
PB  - HAL CCSD; La Garde : UFR Lettres et sciences humaines, Université du Sud Toulon Var
LA  - eng
KW  - scène virtuelle
KW  - engagement
KW  - Traverse Theatre
KW  - démocratie
KW  - National Theatre of Scotland
KW  - Referendum
KW  - Ecosse
KW  - Theatre
KW  - [SHS.LITT]Humanities and Social Sciences/Literature
KW  - http://semantics.gr/authorities/SSH-LCSH/sh85134522
KW  - Theater
KW  - Théâtre
KW  - Histrionics
KW  - Professional theater
KW  - teatro
KW  - θέατρο
KW  - kazalište
KW  - teatr
KW  - Dramatics
KW  - Stage
KW  - http://semantics.gr/authorities/SSH-LCSH/sh85010457
KW  - Autonomija
KW  - Autonomie
KW  - Unabhängigkeit
KW  - Autonomy
KW  - autonomia
KW  - Self-government
KW  - Independence
KW  - Αυτονομία
KW  - autonomía
KW  - Indipendenza politica
KW  - http://semantics.gr/authorities/SSH-LCSH/sh85039316
KW  - Drama
KW  - Theaterstück
KW  - Dramatic works
KW  - Drammi
KW  - Drama--Philosophy
KW  - Modern
KW  - Tragedia
KW  - Playscripts
KW  - Dramas
AB  - at the time of the referendum of 18 September 2014, the projects taking shape on the Scottish theatre scene to think about the issue of independence testify to a form of political and artistic commitment. The theatre moves to virtual scenes where text is tweet and everyone is invited to make their voices heard. The Traverse, a New Writing Hall in Edinburgh and the National Theatre of Scotland, responded to the national debate with 'democratic' dramaturgies that openly raise the issue of civic engagement. This article proposes to reflect on the expression of commitment as embodied, on the eve of the referendum, in two projects: The Yes No Plays by David Greig and The Great Yes No Don't Know Five Minute Theatre Show produced by the National Theatre of Scotland. ; International audience ; at the time of the referendum of 18 September 2014, the projects taking shape on the Scottish theatre scene to think about the issue of independence testify to a form of political and artistic commitment. The theatre moves to virtual scenes where text is tweet and everyone is invited to make their voices heard. The Traverse, a New Writing Hall in Edinburgh and the National Theatre of Scotland, responded to the national debate with 'democratic' dramaturgies that openly raise the issue of civic engagement. This article proposes to reflect on the expression of commitment as embodied, on the eve of the referendum, in two projects: The Yes No Plays by David Greig and The Great Yes No Don't Know Five Minute Theatre Show produced by the National Theatre of Scotland. ; A l'heure du referendum du 18 septembre 2014, les projets qui prennent forme sur la scène théâtrale écossaise pour penser la question de l'indépendance témoignent d'une forme d'engagement-politique et artistique-singulier. Le théâtre se délocalise sur des scènes virtuelles où le texte se fait tweet et où chacun est invité à faire entendre sa voix. Le Traverse, foyer du New Writing à Edimbourg et le National Theatre of Scotland répondent au débat national par des ...
UR  - https://doi.org/10.4000/osb.1860
DO  - 10.4000/osb.1860
UR  - https://www.pollux-fid.de/r/base-fttriple:oai:gotriple.eu:10670/1.jhycsd
H1  - Pollux (Fachinformationsdienst Politikwissenschaft)
ER  -